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Yellow Cedar wood
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- Artist Bio
Yellow Cedar wood
|Dimensions||62 x 6 x 1" (157.48 x 15.24 x 2.54cm)|
|Nation||Kwakwaka'wakw (Awa'etlala) Nation|
Kwakwaka’wakw (Awa’etlala) Nation
Born in Campbell River in 1972, Erich Glendale is of the Kwakwaka’wakw Nation. Erich currently lives in Port Alberni, though he was born in Campbell River and his ancestry goes back to those from Knight Inlet. He spent part of his childhood in Alberta and Ontario, then moved to Nanaimo and began carving in the early 1990s. Yellow Cedar has always been his preference but he also works with Red Cedar wood.
Erich has become known for his various small to medium scale sculptures, including rattles, bowls, small totem poles and talking sticks. In 2006, he also began to study the art of jewelry carving, working with sterling silver and gold, under the guidance of Nuu-chah-nulth artist Gordon Dick.
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Yellow Cedar wood, Acrylic paint
“People of the Eagle” Frontlet, masterfully carved and painted by Kwakwaka’wakw artist Barry Scow, represents the Chief and his people of the Eagle clan. True to form of Barry’s fine carving, this frontlet portrays the Eagle with Sun, and commemorates Barry’s link to his Grandfather, who was a Chief, and to his heritage.
A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
Ivory, Abalone, Sterling silver, engraved
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Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.