You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or firstname.lastname@example.org and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
April White was born on Haida Gwaii, of the Yahgu’jaanaas Raven Clan. Through her father, she is a direct descendant of the renowned Stastas Eagle Chief and Haida Artist, Charles Edenshaw. April has dozens of relatives living in these islands, all practicing indigenous art--painting, sculpting, totem poles, carving masks using cedar bark and spruce root in weaving, jewelry making, steaming bentwood boxes and creating art out of Argillite – these include her brother Darrel White, and her cousins Christian White, Derek White, Jim Hart and Gwaai Edenshaw. She is also a relative of the late Bill Reid.
April White received her Bachelor of Science degree in geology from the University of British Columbia. She has worked as a geologist in remote areas of the Canadian West, an experience which has been of assistance in developing the visual faculty essential to creating her works of art. It wasn’t until the mid-eighties that April decided to completely devote herself to her painting. Entirely self-taught, April’s natural inclination stems from her Haida heritage, where being an artist is an honoured profession.
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul’qumi’num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul’qumi’num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul’qumi’num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”