Killer Whale on SGang Gwaay I
Availability: Only 2 available
by April White
Giclee, Edition of 105
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
16.25 x 12" (41.28 x 30.48cm)
CA$185.00
Only 2 available
Reserve this artwork- Description
- Additional Information
- Artist Bio
“On the southwestern tip of Haida Gwaii is an island called SGang Gwaay (Red Cod Island) where, nestled on its east coast, is the most secluded of all major Haida villages. Originally known as Red Cod Island Town, it became known as Ninsints after the name of the last great Kunghit Haida Chief Nan Sdins.
A mortuary post stands out amongst others with a carved Killer Whale, baring his pointed teeth, dominating the sculpture. The front plaque has now fallen away revealing a chamber, while vestiges of a small human figure between its fins and tail and a small whale with three potlatch cylinders above its head are now left to the imagination. It stands to give voice to a prominent family member of “Those Born in the Southern Part of the Islands” House.“ – April White
-
Wolf’s Journey
Maynard Johnny Jr.
CA$1,600.00Acrylic on Acid-free paper
2012
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Journey of Hope – Blue
Joe Wilson
CA$300.00Serigraph, Edition of 200
2011
Unframed
(For inquiries on custom framing, please contact the gallery)
Also available in Red
Joe Wilson has created this limited-edition print series illustrating the traditional Coast Salish whorl in which both the male and female Killerwhale are represented in balance and harmony with one another.
The ‘Journey of Hope’ was designed specifically for the survivors of the tsunami in Japan in 2011 to pay tribute to their survival instincts as well as their future hopes and dreams.
The Killerwhale is an important crest symbol, associated with power, strength, dignity and communication.
The Killerwhale is thought to be the reincarnation of great chiefs so they are the majestic protectors of mankind. Many believed that those lost at sea were carried away by the Orca to their villages deep within the ocean and they would be guided to a new life and a new beginning.
Killerwhale Clans live in Killerwhale Villages deep within the ocean; when at home they remove their skins and live as large humans. Mating once for life and thought to be the reincarnation of great chiefs, these majestic animals are the protectors of mankind. While known to capsize canoes and carry the inhabitants to their Killerwhale Village, they are also reputed to act as guides to humans caught within storms.
-
con TEXT
lessLIE
CA$450.00Serigraph, Edition of 100
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
“As a contemporary Northwest Coast artist, the de-contextualization of Northwest Coast art is of great interest to me. By some scholars and Northwest Coast traditionalists, Northwest Coast ceremonial art has generally been perceived as de-contextualized when taken away from its ceremonial context. When the words and songs and dances are taken away from Northwest Coast art, it is perceived by some as being robbed of its meaning; hence the title “Con Text.” As a contemporary Coast Salish artist, one of the undertakings of my work is to create a new context for Coast Salish art through the utilization of text.”
–lessLIE
-
Spirituality
Susan Point RCA
CA$1,200.00Serigraph, Edition of 90
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Iinang Xaadee – Iihlangaa (Young Man) II [Framed]
April White
CA$600.00Serigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Tsiin (Salmon) II
April White
CA$340.00Serigraph, Edition of 55
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Jaadaa (Young Woman) II [Framed]
April White
CA$600.00Serigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Guud (Eagle) II
April White
CA$340.00Serigraph, Edition of 55
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White