Killerwhale & Hawk Bentwood Bowl
Availability: Only 1 available
by Don Yeomans
Yellow Cedar wood (bent & bulged), Operculum shell, Acrylic paint
“These steam-bent boxes are a lot of fun to do. The boards being extra thick lend themselves well to very sculptural carving. I chose to do a Killerwhale nearly twenty years ago, when I first got this box from my late friend, Larry Rosso. The paint and operculum shell inlay evolved to counteract the strong wood grain that wanted to be the star.” – Don Yeomans
7 x 10.5 x 14" (17.78 x 26.67 x 35.56cm)
CA$20,500.00
Only 1 available
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Yellow Cedar wood (bent & bulged), Operculum shell, Acrylic paint
“These steam-bent boxes are a lot of fun to do. The boards being extra thick lend themselves well to very sculptural carving. I chose to do a Killerwhale nearly twenty years ago, when I first got this box from my late friend, Larry Rosso. The paint and operculum shell inlay evolved to counteract the strong wood grain that wanted to be the star.” – Don Yeomans
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People of the Eagle Frontlet
Barry Scow
CA$2,450.00Yellow Cedar wood, Acrylic paint
Includes stand
“People of the Eagle” Frontlet, masterfully carved and painted by Kwakwaka’wakw artist Barry Scow, represents the Chief and his people of the Eagle clan. True to form of Barry’s fine carving, this frontlet portrays the Eagle with Sun, and commemorates Barry’s link to his Grandfather, who was a Chief, and to his heritage.
A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
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Raven Ladle
Russell Smith
CA$5,450.00Ivory, Abalone, Sterling silver, engraved
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.
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Beaver & Eagle Fish Bowl
Derek J. White
CA$8,000.00Sterling Silver; Repousse, Engraved
Derek White’s extraordinary Beaver & Eagle Fish Bowl, created in the traditional Haida form and utilizing the ancient technique of repousse to add dimension, demonstrates his articulate master carving and artistry skills. Containers such as bowls were traditionally created out of Cedar or Alder wood and utilized in daily life. The chosen medium of silver serves as a contemporary progression of this ancient art form while illustrating the intricate foundational links which combine cultural heritage with the arts.
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Octopus & Killerwhale Panel
Don Yeomans
CA$10,000.00Cast Forton
Limited edition of 12
“I love carving Octopus. The fluid, long tentacles and suckers make it detailed and challenging. In this panel, my mind went back to childhood when I was totally curious about what was ‘bigger and stronger’. Could this animal win a fight with that animal? The books I read about the Giant Octopus and a story my dad once told me about a crew member who almost got taken by a large octopus that was blown on deck when they were fishing halibut in the Bering Sea. My Giant Octopus is taking on a Killerwhale in this panel – who wins? I no longer care. It is the struggle that captivates my imagination.
When I released a resin cast edition of this piece, a collector told me it was too violent. I said, ‘No, it’s not!’, and I punched him (just kidding!). Violence is what people do. Animals merely survive.” – Don Yeomans
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Deconstructed Eagle Panel
Don Yeomans
CA$15,000.00Yellow Cedar wood
“This is one of the first pieces I carved for this show. It was abstract, in the sense that the parts of the bird had been rearranged to fit the circle. The main idea was to showcase a new style of design, where I use what I call, ‘undulating formline’. Traditional design uses shapes called ovoids and u-shapes, which in themselves are complete elements. In this new style, my elements go under and over and through. My first drawing of this style came to me about 20 years ago. Only in recent years have I been able to carve it to the level I imagined it at.” – Don Yeomans
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‘Three Hummingbirds’ Panel
Don Yeomans
CA$16,000.00Red Cedar wood
“Our backyard is a constant swarm of hummingbirds [that] gathers around the feeder. Two hummingbirds can sometimes share, but three birds on one feeder is war.
In this panel design, there are three sections of wings and feet, while the central area has a pinwheel-like arrangement indicating three mouths and beaks. In the very centre is one eye, which, ironically, they share despite battling over one feeder.” – Don Yeomans