Killerwhale & Hawk Bentwood Bowl
Availability: Only 1 available
Yellow Cedar wood (bent & bulged), Operculum shell, Acrylic paint
“These steam-bent boxes are a lot of fun to do. The boards being extra thick lend themselves well to very sculptural carving. I chose to do a Killerwhale nearly twenty years ago, when I first got this box from my late friend, Larry Rosso. The paint and operculum shell inlay evolved to counteract the strong wood grain that wanted to be the star.” – Don Yeomans
CA$20,500.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Yellow Cedar wood (bent & bulged), Operculum shell, Acrylic paint
“These steam-bent boxes are a lot of fun to do. The boards being extra thick lend themselves well to very sculptural carving. I chose to do a Killerwhale nearly twenty years ago, when I first got this box from my late friend, Larry Rosso. The paint and operculum shell inlay evolved to counteract the strong wood grain that wanted to be the star.” – Don Yeomans
Dimensions | 7 x 10.5 x 14" (17.78 x 26.67 x 35.56cm) |
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Product Number | I-73453 |
Exhibition Code | YEO22 |
Artist | Don Yeomans |
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Nation | Haida / Metis Nations |
Description | Haida / Metis Nations Born on June 29, 1958, in Prince Rupert, BC, Don Yeomans is one of the most respected and renowned Northwest Coast Native artists. Born of a Masset Haida father and a Metis mother from Slave Lake, Alberta, Yeomans has studied and worked in the Haida Style since he was a youth. As a young man, Yeomans apprenticed under the expert guidance of his aunt, Freda Diesing. He worked with Robert Davidson RCA on the Charles Edenshaw Memorial Longhouse and completed a jewelry apprenticeship with Phil Janze. Yeomans has also studied fine art at Langara College in Vancouver. He has worked with many acclaimed Northwest coast artists, including Bill Reid, Robert Davidson, Phil Janze and Gerry Marks, studying their styles, techniques and philosophies. Don Yeomans crafts his artworks in many materials: he creates exquisite jewelry pieces in gold and silver, paints elegant Haida designs on paper, produces outstanding prints and is one of the finest carvers. His work can be found in the University of British Columbia’s Museum of Anthropology, the Royal British Columbia Museum, the Canadian Museum of Civilization, and the Seattle Art Museum. In 2002 he completed a major totem pole commission for Stanford University. |
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A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
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Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.
Other works by this artist
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Cedar wood is strong, lightweight, and extremely versatile. These qualities lend well to carving, and result in a wood that can be used to create a wide variety of objects.
The Raven is regarded as the Hero, Creator, Transformer, and the most important of all creatures to the coastal First Nations peoples. He is also known as the Trickster because of his wit and sense of humor. His legendary antics were often motivated by insatiable greed, and he loved to tease, to cheat, to woo and to trick. In the oral traditions of the Northwest Coast, Raven is credited with releasing the Sun, and creating the Moon, Stars and the Universe. In Haida culture, Raven is also said to have discovered mankind in a clamshell.
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