Killerwhale Triptych Panels
Availability: Only 1 available
Red Cedar wood, Acrylic paint
36 x 24.75 x 2″ (each panel)
36 x 74.25 x 2″ (entire triptych)
“I have always loved patterns in design. The goal in this series was to represent a pod of whales in a very traditional colour & design. The biggest challenge for me in this was the absolute [tedium] I experienced having to carve the same design three times.” – Don Yeomans
CA$36,000.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
36 x 24.75 x 2″ (each panel)
36 x 74.25 x 2″ (entire triptych)
“I have always loved patterns in design. The goal in this series was to represent a pod of whales in a very traditional colour & design. The biggest challenge for me in this was the absolute [tedium] I experienced having to carve the same design three times.” – Don Yeomans
Product Number | I-79697 |
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Exhibition Code | YEO22 |
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Artist | Don Yeomans |
Nation | Haida / Metis Nations |
Description | Haida / Metis Nations Born on June 29, 1958, in Prince Rupert, BC, Don Yeomans is one of the most respected and renowned Northwest Coast Native artists. Born of a Masset Haida father and a Metis mother from Slave Lake, Alberta, Yeomans has studied and worked in the Haida Style since he was a youth. As a young man, Yeomans apprenticed under the expert guidance of his aunt, Freda Diesing. He worked with Robert Davidson RCA on the Charles Edenshaw Memorial Longhouse and completed a jewelry apprenticeship with Phil Janze. Yeomans has also studied fine art at Langara College in Vancouver. He has worked with many acclaimed Northwest coast artists, including Bill Reid, Robert Davidson, Phil Janze and Gerry Marks, studying their styles, techniques and philosophies. Don Yeomans crafts his artworks in many materials: he creates exquisite jewelry pieces in gold and silver, paints elegant Haida designs on paper, produces outstanding prints and is one of the finest carvers. His work can be found in the University of British Columbia’s Museum of Anthropology, the Royal British Columbia Museum, the Canadian Museum of Civilization, and the Seattle Art Museum. In 2002 he completed a major totem pole commission for Stanford University. |
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Other works by this artist
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“Birth of an Idea” Panel
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“Originally, this panel was a naked yellow cedar board, but I added the white to highlight the undulating formlines, which are easier to see on a monochromatic surface. The main character is basically a mighty mouse, abstracted to convey how ideas emerge from my mind’s eye towards the hands – or in this case, the paw of the mighty mouse. The condensed figure within the eye is an embryonic idea.
Yup, that’s how they all look to me!” – Don Yeomans
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Raven & UFO Panel
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“This panel [has] two purposes. The first is an idea that the mention of extraterrestrials influencing our past, while a popular notion, is extremely controversial. In many cultures, ‘their’ mere existence is a challenge to a religious narrative of Man’s creation. Naturally, I wondered if, in the case of Haida, did Raven really find humans living in a giant clamshell?
The second purpose of this panel lies in the raw or rough appearance of the wood carving. Some of my favourite carvings from older times are crudely carved. The message and power endowed within these pieces can felt despite their less polished appearance.” – Don Yeomans
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Divide & Conquer
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“The print depicts two humans, split from one original body they once shared. Separated and suspicious of each other, they are easy victims for the powers that divide them.” – Don Yeomans
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Killerwhale & Eagle Panel
Don Yeomans
CA$26,500.00Red Cedar wood, Acrylic paint
Don Yeomans’ Killerwhale & Eagle Panel is a beautiful and dynamic depiction of two significant and powerful figures in Pacific Northwest Coast Indigenous culture. Carved from rich red cedar wood, the panel features a classic red and black color-scheme that is commonly seen in historic northern artworks. The vibrant red, combined with the dynamic expressiveness of the carving, easily captures the attention of all those in its vicinity. With such impeccable detail and fluidity, this artwork serves as a true testament to Don Yeomans’ skill as a master artist.