Killerwhale & Wolf Paddle
Availability: Only 1 available
Yellow Cedar wood, Acrylic paint
CA$3,200.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Yellow Cedar wood, Acrylic paint
Dimensions | 61 x 5.5 x 1.5" (154.94 x 13.97 x 3.81cm) |
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Product Number | I-103779 |
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Artist | Guy Louie Jr. |
Nation | Nuu-chah-nulth Nation |
Description | Nuu-chah-nulth Nation Guy Louie Jr. was born in Victoria, BC, in 1980. He is an artist and performer from the Ahousaht clan of the Nuu-chah-nulth Nation. Guy began to engage with his heritage extensively in his early teens. Growing up in Victoria limited his first-hand experience with Nuu-chah-nulth culture, so Guy initially garnered his knowledge from the various audio recordings of his great-grandfather, Peter Webster. Peter Webster’s recordings had been passed down through his family and were part of a larger collection amassed by the late musicologist Ida Halpern, who travelled Vancouver Island from 1947 to 1980. Her work during this period focused on capturing the ceremonies and cultures of Indigenous communities. In 2018, these recordings of Guy’s great-grandfather and many other Indigenous singers were recognized by the Canadian Commission for UNESCO. The commission announced that the collection would be added to the Canada Memory of the World Register, which was created to promote the importance of archival material as the “memory” of humanity. Today, Guy continues his great-grandfather’s efforts to preserve the songs and music by performing them for his community. He leads The Ahousat Drummers, a family-run drum group that had grown to include many urban Nuu-chah-nulth peoples. Guy has recently begun dabbling in visual arts as well, creating traditional carvings in the Nuu-chah-nulth style. He is currently undertaking an apprenticeship under the renowned Nuu-chah-nulth artist, Moy Sutherland. |
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A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
Other works by this artist
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Tii-skin (Thunderbird) Bentwood Box
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Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.