“GANHADA” – RAVEN
Availability: In stock
Serigraph, Edition of 200
Unframed
(For inquiries on Custom Framing, please contact the gallery)
CA$150.00
In stock
Reserve this artworkReserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or [email protected] and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
Layaway
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Description
- Additional Information
- Artist Bio
Serigraph, Edition of 200
Unframed
(For inquiries on Custom Framing, please contact the gallery)
Colour | Red, Black, Grey |
---|---|
Shape | Square |
Symbol | Salmon |
Dimensions | 22 x 22" (55.88 x 55.88cm) |
Product Number | I-102545 |
LOC | CP - Print Drawer A - PD5 - |
![]() |
|
---|---|
Artist | Alvin Child |
Nation | Kwakwaka'wakw Nation |
Description | Kwakwaka’wakw Nation Alvin Child was born in Alert Bay in 1962. He is a member of the Tsawataineuk Band from Kingcome Inlet. His father, John Alvin Dudoward, passed away when Alvin was a year old and his family relocated to Nanaimo, BC. Alvin recalls a happy childhood with his mother, Irene Willie, and adoptive father, Ron Child. They encouraged Alvin’s education and he graduated from BCIT with a degree in Engineering. He didn’t develop a serious interest in art until 1984, after a chance encounter with renowned carver John Livingston. Alvin was walking in Victoria’s Chinatown, when he suddenly heard an unusual sound – a loud chainsaw in the middle of the city. Curious, he followed the noise and came upon a building on Herald Street. He knocked on the door, but there was no answer. However, the door was unlocked, and with his curiosity piqued, he decided to let himself in. Alvin describes the scene as follows, “There was a guy roughing out a design on a totem pole with a chainsaw. He didn’t know I was there and continued working.” Alvin watched until the man suddenly looked up and said, “Hey, Alvin.” The man introduced himself as John Livingston, a master carver who was also an expert restorer and appraiser of native artifacts. He recognized Alvin because he knew his mother, Irene. Alvin went on to watch John work for the next four hours. He was fascinated with the process of carving and watching shapes come to life. John invited Alvin to come back the next day and said that if he was interested in carving, he should get some blades made. He drew the outlines and specifications of the blades on a piece of cardboard and handed it to Alvin. This was the beginning of a mentorship and friendship that lasted nearly 35 years until John’s passing. During his lengthy career, Alvin has released several limited-edition screen prints, carved numerous plaques, and painted many drums that have been appreciated by collectors worldwide. |
you may also like
-
Salmon
Maynard Johnny Jr.
CA$120.00Serigraph, Edition of 200
2010
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Pro Creation
lessLIE
CA$250.00Serigraph, Edition of 100
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”
— lessLIE
Other works by this artist
-
Haida Gwaii Salmon
Alvin Child
CA$180.00Serigraph, Edition of 220
Unframed
(For inquiries on Custom Framing, please contact the gallery)
-
“Kwa-Giulth” Salmon
Alvin Child
CA$150.00Serigraph, Edition of 200
Unframed
(For inquiries on Custom Framing, please contact the gallery)
-
Sharing Knowledge (AP)
Alvin Child
CA$200.00Serigraph, Artist Proof, Edition of XVII
Unframed
(For inquiries on custom framing, please contact the gallery)
Why an Artist Proof?
The artist proof is often the first proof or set of proofs that the artist “pulls” to ensure that the image is printing to the desired effect. The Artist Proof holds a higher value than a regular edition piece due to its rarity as well as the possibility that they can contain the visual evidence of the artist’s progress. Artist Proofs are typically owned and kept by the artist so they are rarely released.
-
Sharing Knowledge
Alvin Child
CA$150.00Serigraph, Edition of 170
2019
Unframed
(For inquiries on custom framing, please contact the gallery)