Availability: Only 1 available
Red Cedar wood, Cedar bark, Acrylic paint
Only 1 availableReserve this artwork
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Red Cedar wood, Cedar bark, Acrylic paint
|Dimensions||35 x 35 x 1" (88.9 x 88.9 x 2.54cm)|
Jason Hunt was born in 1973 in Victoria, BC. His family is originally from Fort Rupert, a small Kwakwaka’wakw community on the north shore of Vancouver Island. This important region of Vancouver Island is home to many of British Columbia’s notable carvers.
Growing up, Jason was undoubtedly surrounded by his First Nations artistic heritage. His father Stan Hunt has been actively carving masks and totem poles, and his grandfather Mungo Martin was a key figure in totem pole restoration projects both at the University of British Columbia Museum of Anthropology and the Royal British Columbia Museum. It wasn’t until Jason’s third year of Business Administration at Comosun College in 1991 that he had a change in direction and began to explore the practice of Northwest Coast carving.
After watching his father during a family visit, Jason grew more interested in the practice and began to carve as well. Carving came to Jason with ease, as it has for many generations of Hunt family members. He began carving masks soon after and aspired to carve totem poles, which he eventually achieved with his brother Trevor.
While Jason’s art practice continues to grow, his work is still deeply rooted in a traditional Kwagiulth style and Jason strives to maintain authenticity in his works. His masks are exquisitely carved and explore traditional methods of design and processes of production. By using time-honored techniques to carve and create his works, he continues a historic art practice that has been passed down from generaton to generation. As a growing artist who continues to learn and expand his practice, Jason’s work can be found in several collections and continues to be sought after worldwide.
you may also like
CA$2,375.00Goat Horn, engraved, with Yellow Cedar wood base
Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.
Birch wood, Abalone, Ivory
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
A frontlet is a forehead mask attached to a woven headpiece. It is worn by chiefs and high-ranking individuals as a display of crests and status. Frontlets are often decorated with materials that are symbols of wealth and power: abalone shell, operculum shell, sea lion whiskers, feathers and/or ermine pelts.
The intelligent Eagle symbolizes status, power, peace and friendship.
Sterling Silver; Repousse, Engraved
Derek White’s extraordinary Beaver & Eagle Fish Bowl, created in the traditional Haida form and utilizing the ancient technique of repousse to add dimension, demonstrates his articulate master carving and artistry skills. Containers such as bowls were traditionally created out of Cedar or Alder wood and utilized in daily life. The chosen medium of silver serves as a contemporary progression of this ancient art form while illustrating the intricate foundational links which combine cultural heritage with the arts.