Lovers Above the Stars (Raven & Eagle) Bench
Availability: Only 1 available
Red Cedar wood, Black Powder-Coated aluminum, Acrylic paint
CA$2,400.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Red Cedar wood, Black Powder-Coated aluminum, Acrylic paint
Product Number | I-111252 |
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Exhibition Code | COCO2024 |
Artist | Corrine Hunt |
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Nation | Kwakwaka'wakw / Tlingit Nations |
Description | Kwakwaka’wakw / Tlingit Nations Corrine Hunt is a member of the Raven Gwa’wina clan from Ts’akis, a Komoyue village on Vancouver Island. Her rich family history includes internationally renowned First Nations artists George Hunt, Henry Hunt, Richard Hunt and Tony Hunt, all of whom have been influential on her art. Uncle Norman Brotchie was also a significant teacher and mentor, introducing Corrine to Kwakwaka’wakw traditions and the art of jewelry-making. Born in Alert Bay in 1959, Corrine’s paternal grandmother A’neesla’ga,’ a Tlingit noblewoman from Alaska, gave her the name ‘Killer Whale Scratching Her Back on the Beach’ in 1965. Since 1985 she has been creating contemporary art that reflects the themes and traditions of her First Nations Komoyue and Tlingit heritage. Corrine’s work includes engraved gold and silver jewelry and accessories, sculptural installations such as totem poles, and custom furnishings in carved stainless steel and reclaimed wood, executed in a distinctively contemporary style all of her own. Working with the concept of living culture, Corrine is creating fine art objects that are both aesthetically pleasing and of practical use. She is interested in exploring unique ways to translate the traditions of her First Nations culture; “I want to show how both the First Nations people and the art have evolved,” she explains. Corrine designed the logo for the World Peace Forum held in Vancouver, 2006. There were installations of her work at the Hilton Hotel, Whistler, and the Office for Indian and Northern Affairs Canada. In 2009, she was a co-creator of the medals for the 2010 Olympic Games held in Vancouver. These featured her original designs of the Pacific Northwest Coast crest figures of the Killerwhale and Raven. Corrine’s artistic endeavours were recognized with the National Aboriginal Achievement Award in 2011. As well as her prolific art practice, Corrine is focused on mentoring First Nations artists and other creative practitioners in this present day, and continues to be a forceful supporter of the creative arts in British Columbia. Exhibitions: 2021 | Kapiguxw’id: Iklegans dudakwo | Gathering: It’s good to see you [again]. September 25 to October 29, 2021 As a contemporary Indigenous designer, Corrine Hunt presents an inspired collection of artistic visions and experiences arising from her travels far away and her hub at home in this multi-media exhibition. Read more details here. |
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Every Household and every clan possessed its own history and traditions in the form of myths and legends. Often describing how an individual had met a supernatural being, in animal form, who had given ownership of certain privileges. These privileges are a highly important part of First Nations life and are retained by particular family groups through their laws of inheritance. Privileges gave an individual status in the community and were more highly valued than any material possession.
In reality there were rights, such as the right to use a figure on a house post, wear a mask or to perform a dance at a ceremony. Very typical of these legends was the tale of Natcitlaneh, who was abandoned on an island by his brothers-in-law, who were jealous of his prowess as a hunter. He was rescued by the sea lions and taken to their village in a cave, where in gratitude for his healing their Chief, gave him supernatural powers which enabled him to carve eight wooden Killerwhales. These came to life when they were placed in the sea and avenged him by killing his brothers-in-law. As a mark of respect, Natcitlaneh built a house and named it Killerwhale House. According to legend the ancestors visited the house, located at the bottom of the ocean and obtained the right to use the Killerwhale as a crest. The Killerwhale was said to have originated from a single great white wolf that leaped into the sea and transformed itself into a Killerwhale, or Orca. That is why they have the white markings on their sides, travel in packs and are such skilled hunters. The Orca is considered to be the ocean manifestation of the wolf and the two animals are considered to be directly related.
Another beautiful legend tells that long ago Orca was one color, black and she lived in the water like all fish. Then she fell in love with Osprey and he with her. The Orca wanted to know so badly what it felt like to fly so she leapt farther and farther out of the water to be close to her love and Osprey spent more and more time close to the water to be near his love. Love has a way of making itself shown and expressed, and when their child was born, she was black like Orca, but with a white belly and head like the Osprey. The Orca has a song so beautiful that all creation is said to stop and listen to the Orca and that to be splashed by the Orca is to ensure great luck and happiness.
Chaz’s beautifully sculptured glass Killerwhales pay tribute to First Nation culture, oral history and traditions. These are testament to an ideology in which we are all interconnected and part of the greater whole- each related and affecting the other.
Other works by this artist
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G̲wa’wina (Raven with Light) Bracelet
Corrine Hunt
CA$6,200.0014K Yellow Gold, Engraved
Asymmetrical Band, Domed