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- Additional Information
- Artist Bio
|Dimensions||7.5 x 2.5 x 1.25"|
|Artist||Derek J. White|
Derek White was born in 1965 and raised on Haida Gwaii. His father, Morris White, was a Chief of the Edinsu (Edenshaw) Eagle Clan of Kiusta until he passed away in 1997. Derek’s grandfather, Geoffrey White, was the grandson of the great carver, Charles Edenshaw. At a young age, his father gave up his career as a fisherman to become a full-time artist. He began carving silver, argillite, gold and wood.
Even with all the artistic influence in his house, Derek did not start carving until he finished high school. He carved small pieces, as well as helped his father and brothers carve a red cedar canoe and a carving shed. He was an apprentice under master carver Jim Hart in 1990 until 2000. He worked on several poles with him, including one in San Francisco and the Edenshaw Memorial Pole, which was raised in front of his Longhouse in August of 1999. Derek also worked extensively in his Longhouse, the Frog Constellation, on a large red cedar piece and some smaller projects. In 1995, he worked with his brothers Todd and Christian White and his brothers-in-law on the Cheif Edenshaw House Frontal Pole, which was carved and raised in 1995. This project was led by master carver Chris White.
In the year 2000, Derek worked in Skidegate for Tim Boyko and the Qay-llnaggay Heritage Centre Society on a pole that was raised in the Spring/Summer of 2001.
Derek is currently focusing on his art creating pieces in multiple media.
2004 Box of Treasures, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, BC. November.
2005 Where the Spirit Gathers, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, BC. November.
2006 Transcendence – a decade in perspective, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
2007 Coastal Legacy, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, B.C., November
2009 Haida Masterworks, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
2013 Haida Masterworks II, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
2017 Haida Masterworks III, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
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Yellow Cedar wood, Acrylic paint
“People of the Eagle” Frontlet, masterfully carved and painted by Kwakwaka’wakw artist Barry Scow, represents the Chief and his people of the Eagle clan. True to form of Barry’s fine carving, this frontlet portrays the Eagle with Sun, and commemorates Barry’s link to his Grandfather, who was a Chief, and to his heritage.
A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.