Availability: Only 1 available
Acrylic on Acid-free paper
Only 1 available
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or firstname.lastname@example.org and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Acrylic on Acid-free paper
|Dimensions||11.25 x 9 "|
|LOC||CP - - PD9 -|
Terry Starr is a Tsimshian artist, born March 2nd, 1951 in Prince Rupert, British Columbia. He grew up in a village, Port Simpson, 20 miles north of Prince Rupert. His predominant family crest is the Eagle on his mother’s side, while his sub crest is the Killerwhale on his father’s.
Subsequent to completing a college business course, Terry began carving in his late twenties. His specialty is carving wood, Alder being the preference; he also paints and has produced many traditional prints based on Tsimshian imagery.
Tim Paul RCA of the Nuu-chah-nulth Nation and Richard Hunt RCA of the Kwakwaka’wakw people were among the first to educate Terry on the basic techniques of carving wood. Their ancestral styles greatly influence the artwork that he creates today.
Terry is best known for his superbly refined masks reflecting the traditional pigments and form lines of his ancestry. He usually paints only a portion of his masks to deliberately reveal the fluid grain of the wood. As Terry’s career spans over twenty years, his expertise in achieving detail and his commitment to maintaining the traditional Tsimshian style is prevalent in his artwork. His pieces can be found in many local and international collections.
you may also like
Serigraph, Edition of 100
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”