Availability: Only 1 available
Price available on request
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or firstname.lastname@example.org and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
|Dimensions||13.5 x 18 x 7.5"|
|Artist||Kananginak Pootoogook RCA|
1935 – 2010
Kananginak Pootoogook was an accomplished sculptor, designer, draftsman and printmaker, originally from Ikerasak Camp on South Baffin Island. Son of the great camp leader, Pootoogook, he came to Cape Dorset in 1958, when James Houston brought printmaking to the North. He became one of the four original printers. Kananginak worked in all media, including silk-screen printing of textiles. However, he excelled as an engraver and lithographer – particularly of wildlife art, which he mastered while retaining a personal style with definite abstract qualities. His sister, Napatchie, and brother, Paulassie, are also skilled artists.
Kananginak was involved with drawing and printmaking since the late 1950’s when the West Baffin Eskimo Co-op first initiated the graphic arts program at Cape Dorset. Kananginak’s first print, (a collaborative image with his father, Pootoogook), was included in the first catalogued collection of Cape Dorset prints in 1959. His work has been included in all but three annual collections since that time.
Kananginak and his siblings grew up in different camp areas on south Baffin Island. Their main camp was Ikerrasak where their father, Pootoogook, was the respected camp leader. Kananginak married Shooyoo from Cape Dorset in the mid-1950’s. They lived at Ikerrasak until 1958 when they moved to Cape Dorset because of Pootoogook’s failing health.
From the beginning Kananginak represented Arctic wildlife in his work. He was especially capable at drawing the many species of birds, which frequent the Arctic. In more recent years he focused on the material culture of the Inuit, producing realistic, narrative drawings of camp and hunting scenes. His work has been produced in several print media – copper engravings, stone-cuts, stencils, lithographs and etchings. Kananginak was an accomplished printmaker himself. In the early years he often proofed and editioned his own work.
Kananginak was a prominent and involved community leader. He was instrumental in the formation of the West Baffin Eskimo Co-operative and served for many years as President of its Board of Directors. He was also a member of the Royal Canadian Academy.
In 1978, the World Wildlife Commission released a limited edition portfolio of works in which four of Kananginak’s images were included. His work has been featured in numerous exhibitions in both public institutions and commercial galleries. He was also a notable sculptor.
In 1997, Kananginak was commissioned by the Governor General of Canada, Romeo Leblanc, to construct an Inukshuk in Cape Dorset, which was then deconstructed and shipped to Ottawa. Kananginak and his son, Johnny, were then invited to Ottawa to re-assemble the Inukshuk on the grounds of Rideau Hall as part of a tribute to native people in Canada.
Excerpts from ‘West Baffin Eskimo Co-operative’.