You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
Internationally acclaimed as one of the premier Inuit artists, Simon was self-taught. He began carving in the late 1960’s after moving to Baker Lake from Gjoa Haven to escape the threat of starvation. At this early point in his artistic career he worked only in antler and stone. He later moved on to drawing and stonecut printmaking. Simon found printmaking to be an appealing blend between his two preferred art forms – carving and drawing – as it requires both skills. He went so far as to cut his own stone for his prints, drawing from his background in construction and mining.
Simon had many occupations aside from artist and manual labourer. He worked in fisheries and education (teaching carving to children); he was a cameraman and interviewer for the Inuit Broadcasting Corporation, a justice of the peace, a drumdancer, a skillful hunter, a master whipper, and a respected elder. Simon also co-authored a children’s book with Sheldon Oberman called, Shaman’s Nephew: A Life in the Far North. It won the Norma Fleck Award for Canadian children’s non-fiction in 2000. This book chronicles Simon’s own experiences of living a traditional Inuit lifestyle, including his encounters with non-Inuit culture for the first time. While accomplished in all of his many careers, Simon’s preferred occupation remained art.
His artistic career lasted forty-five years, and included solo and group exhibitions all over the world. Each year from 1971-1990 he contributed to Baker Lake’s annual print collection facilitated by the Sanavik Co-operative.
Simon’s work stands out amongst other artist in this region for its particularly unique imagery. His pieces provide viewers with a glimpse of the shamanic world. Images of spiritual encounters, transformation, and the vibrancy of the Inuit people of Baker Lake are brought to life in his art.