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Yellow Cedar wood, Acrylic paint
Price available on request
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- Additional Information
- Artist Bio
Yellow Cedar wood, Acrylic paint
|Dimensions||62 x 5.75 x 1" (157.48 x 14.61 x 2.54cm)|
|Nation||Nuu-chah-nulth / Sioux / Dakota Nations|
Nuu-chah-nulth / Sioux / Dakota Nations
Douglas David was born in 1971 into the Nuu-chah-nulth nation, on his father’s side and the Sioux Dakota nation on his mother’s side. Both his parents are artists, and from birth Douglas has been exposed to the traditional art of these cultures. At the age of eight Douglas realized his visions could be transferred from thought to hand and has been carving ever since. Douglas acknowledges his father Joe David, a renowned master carver along with Douglas’s mother and ancestral spirits as his teachers and mentors.
Douglas’s specific crests belonging to the Nuu Chah Nulth nation are the Wolf, Killerwhale, and Thunderbird. These crest images are prevalent in his works on wood and raw hide. Now, as a single parent of 7 children, he has passes on his own experiences and knowledge to them to ensure the continuation of this artform from one generation to the next so it will thrive and survive.
Douglas is an experienced carver and his works are in various collections worldwide. He is considered part of the next generation of master artists of the Northwest Coast.
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Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.
Yellow Cedar wood
A ceremonial dish, also known as a feast dish or potlatch dish, was a treasured heirloom which families brought out for great feasts as a gesture of hospitality and welcoming. Presently, many ceremonial dishes are carved in miniature form, meant for collectors who appreciate the historic and symbolic value behind each artwork. This aspect of the art is considered to be a contemporary turn that northwest coast native art has taken throughout the years.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson. Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.
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The drum is considered one of the main percussive instruments, along with the rattle, which was used in traditional Northwest Coast ceremonies and cultural events. Its beat provides the basis from which dances, songs and oral histories are performed during a Potlatch.
The Thunderbird is a supernatural, mythical creature that lives high in the mountains and feeds on Killerwhale. It’s been aptly named for the thunder that rolls off its wings and lightening comes from its eyes when it flies.