Owl
Availability: Only 1 available
Marble
CA$3,220.00
Only 1 available
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Layaway
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- Description
- Additional Information
- Artist Bio
Marble
Dimensions | 13.5 x 6.75 x 2.5" (34.29 x 17.15 x 6.35cm) |
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Product Number | I-102685 |
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Artist | Padlaya Qiatsuq |
Nation | Cape Dorset |
Description | Cape Dorset Padlaya Qiatsuq was born in 1965 in Cape Dorset and began carving around 1977. He learned to carve from his father, the well-known sculptor and printmaker, Lukta Qiatsuq. Padlaya works in soapstone and bone, and carves each sculpture with much attention to detail. “I like to carve transformations. That’s one of my favourite [themes], and shamanism…when I do transformation or shamanism carvings, [I hope] the younger people will see the carving in a book or in a gallery. I want them to know that these traditions have to be carried out. How do I put this? They have to know that our ancestors had a hard time to live, to hunt. Sometimes they were starving. Those carvings are important to me and I want to show these younger people – and others – that this happened before.” Excerpt from “Padlaya Qiatsuk: Encouraging Young Carvers to Persevere.” Matthew Fox. Inuit Art Quarterly, vol. 16, no. 1, Spring 2001 pg. 26-28. |
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Thomas Ugjuk
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“A remarkably animated work for the artist whose style is comparable to his father’s (John Kavik). In an interview with the artist in 1993, which appeared in the winter edition of the Inuit Art Quarterly, Ugjuk describes the difficulty he had in deciding what to carve. This may be why there are not many of his works available on the market. Both Kavik and Ugjuk were self-taught artists and took to carving whenever they were not hunting.”
“Ugluk says, ‘I would try to concentrate on an idea of mine and gradually expand on it as I went along which would lead to some comprehensible form for the carving I was working on. And, other times, it seemed that trying to stay with one idea didn’t always work so, rather than getting stuck with one idea, I would just work on a carving and what it would become’.”