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14K Yellow Gold, Cast
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- Additional Information
- Artist Bio
14K Yellow Gold, Cast
|Dimensions||0.75 x 0.5" (1.91 x 1.27cm)|
Born in 1955, Lyle Wilson is a Haisla artist from Kitamaat Village, which is near the town site of Kitimat, British Columbia, Canada. The Haisla Nation is often referred to as Northern Kwakwaka’wakw; however, their historic artistic style has influences from various sources – notably Kwakwaka’wakw and Tsimshian, as well as developing distinctive qualities of their own. The name Kitamaat means, “People of the Snow” and refers to the large amount of snow received by this region. Tsimshian people visiting the Haisla people in mid-winter arrived to see people emerging from big houses completely buried by the snow so the name Kitamaat seemed an appropriate description.
The Haisla Clan system is matrilineal and although he was born into the Beaver Clan, Lyle was formally adopted into his father’s Eagle Clan. Due to the high death rates at this time, his Eagle grandmother formally adopted both Lyle and his sister to help ensure the continuation of the Eagle Clan. This was a small but important event, which helped shape Lyle’s view of Haisla culture.
Lyle was always conscious and appreciative of Haisla art, which was present in his formative years. In this regard, his first artistic influence was his uncle, Sam Robinson, who is a full-time carver. Fascinated, Lyle watched him and occasionally whittled to the best of this abilities. He did not pursue art as a possible profession until he attended the University of British Columbia. At this time, he committed to a career in art education, but found time spent in the studio more compelling – eventually leaving to pursue his own artistic interests at the Emily Carr College of Art and Design. He graduated with a diploma in printmaking and began to develop his individual style. This artistic style has its roots in graphics, but also envelopes his three-dimensional works in wood and jewelry.
Today, a renowned artist, Lyle works closely with University of British Columbia’s Museum of Anthropology where he has further pursued his interest in replicating historic Haisla art for future generations to understand and visualize. Lyle has been involved with many important private and public commissions that have aided in the awareness of Haisla art.
Additionally, he has been involved in a number of group and solo exhibitions since 1981 both locally and abroad. Some of his public commissions can be viewed at the Museum of Anthropology, BC Sports Hall of Fame, Canadian Consulate in Osaka, Japan, Canadian Institute for the Blind, EXPO 1992 and at the UBC First Nations House of Learning.
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20K Gold, Abalone; Repousse, Chased
2.5 x 2 x 1″ (including bale)
Jesse Brillon’s Eagle Amulet is cast in 20K gold and ornately inlayed with exquisite blue, green and purple hued abalone shells. This amulet illuminates ancient mythology and tradition. This contemporized work provides a visual reference to one of the most notable beings in First Nations art and culture: the Eagle.
Steeped in tradition, this masterfully carved work provides depth, grace and stature beyond the presented image. Jesse Brillon’s Eagle Pendant pays homage to the tradition of nature and the interconnection between all living creatures.
Other works by this artist
Sterling silver, Abalone shell, Cast, Engraved, Textured
Edition of 9
“The story of ‘Raven Releasing the Light’ has several versions depending upon the teller and the Pacific Northwest Coast group. In some versions the sun is featured while in others the moon or stars are included. My Haisla grandmother told us a version where the moon was the central character. Therefore, in this limited edition I decided to portray a moon to honour the memory of her telling the story to my sisters, brother and cousins when we were just very young children. Having seen the full moon on numerous occasions, I’ve come to portray the moon’s corona as a series of concentric rings to indicate a softer, gentler, radiating light.”
-Lyle Wilson, 2016
Sterling silver, Textured, Engraved
“This group of pendants, brooches and earrings were inspired by an earlier painting of mine entitled ABC’s: Reconstituted, 2011. The subject matter is the English alphabet rendered in the Pacific Northwest Coast (PNC) formline style. It is my recognition that educational ideals are steadily becoming incorporated into the fabric of PNC people’s lives. That’s a good thing, and these jewelry pieces are my little way of recognizing the importance of continuing modern educational ideals.”
-Lyle Wilson, 2016