Purple Formline
Availability: In stock
Giclee, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
CA$130.00
In stock
Reserve this artworkReserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or inquiry@coastalpeoples.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
Layaway
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Description
- Additional Information
- Artist Bio
Giclee, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
Colour | Black, Purple |
---|---|
Shape | Vertical |
Dimensions | 15.75 x 12" (40.01 x 30.48cm) |
Product Number | S-1644 |
LOC | CP - - PD5 - |
![]() |
|
---|---|
Artist | Alano Edzerza |
Nation | Tahltan Nation |
Description | Tahltan Nation Alano Edzerza, a Tahltan artist belonging to the Raven clan, has been immersed in Northwest Coast Native art from a very young age. At 13, Alano received a sculpture award from the School Board of Victoria. From there, his talent grew into a professional career under the tutelage of his cousin, Terrance Campbell, an accomplished jeweler and carver. In 2002 Alano attended a prominent jewelry-making school in Arizona under the instruction of Rick Charlie. Consequent to completing this course, he began working with northern and southern descent artists, such as Jay Simeon, Marcel Russ, Philip Gray, Cory Bulpitt, Beau Dick, Mark Preston and Dempsey Bob, a leading contributor of knowledge and education to the next generation of artists from the Tahltan Nation. Bob collaborated on various projects with the artists, who in turn greatly inspired him to revisit the pursuit of his own artwork. Currently, Alano has accomplished jewelry carver Rick Adkins instructing him on refining his designing skills. Alano continues to grow as an artist and to challenge his abilities. This has certainly progressed his artwork to another level among his peers. His pursuit of original paintings has led him to create graphics and works in the contemporary medium of glass. |
you may also like
-
con TEXT
lessLIE
CA$450.00Serigraph, Edition of 100
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
“As a contemporary Northwest Coast artist, the de-contextualization of Northwest Coast art is of great interest to me. By some scholars and Northwest Coast traditionalists, Northwest Coast ceremonial art has generally been perceived as de-contextualized when taken away from its ceremonial context. When the words and songs and dances are taken away from Northwest Coast art, it is perceived by some as being robbed of its meaning; hence the title “Con Text.” As a contemporary Coast Salish artist, one of the undertakings of my work is to create a new context for Coast Salish art through the utilization of text.”
–lessLIE
-
Pro Creation
lessLIE
CA$250.00Serigraph, Edition of 100
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”
— lessLIE
-
Beaver Swimming
Norman Tait
CA$1,400.00Serigraph, Edition of 95
Unframed
(For inquiries on custom framing, please contact the gallery)
The Beaver appears in Northwest mythology and is a family crest in many regions throughout the Northwest Coast. According to legend, the first Beaver was a woman, whose husband frequently went on long hunting and fishing trips. In his absence, his lonely wife took solace swimming, enlarging her pond with a dam and building her own water dwelling. Eventually, she transformed into a Beaver and their children were Beaver People, founding the Beaver lineage.
In mythology, they are often associated with the powerful undersea supernatural beings and the magic Giant Beaver can cause natural disaster with one slap of its wide, strong tail. Characterisically, the Beaver is known to keep to himself and cares little for the activities of the humans, except when they are directly affected. Thus, they often give wise advice so it is important to listen when they do decide to speak.
-
Quwut Sun
lessLIE
SOLDSerigraph, Edition of 100
2005
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul’qumi’num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul’qumi’num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul’qumi’num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”
–lessLIE
Other works by this artist
-
Taku Red
Alano Edzerza
CA$240.00Giclee, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Moving Forward
Alano Edzerza
CA$240.00Giclee, Edition of 200
2008
Unframed
(For inquiries on custom framing, please contact the gallery)