Quwut Sun
Availability: Only 1 available
by lessLIE
Serigraph, Edition of 100
2005
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul’qumi’num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul’qumi’num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul’qumi’num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”
–lessLIE
20 x 20"
$200.00 CAD
Only 1 available
Reserve this artwork- Description
- Additional Information
- Artist Bio
Serigraph, Edition of 100
2005
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul’qumi’num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul’qumi’num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul’qumi’num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”
–lessLIE
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Pro Creation
lessLIE
$250.00 CADSerigraph, Edition of 100
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”
— lessLIE
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Equinox
Andy Everson
$250.00 CADGiclee, Edition of 50
2006
Unframed
(For inquiries on custom framing, please contact the gallery)
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Wonder Child – Yellow
Alvin Adkins
$200.00 CADSerigraph, Edition of 175
Unframed
(For inquiries on custom framing, please contact the gallery)
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Seagles
lessLIE
$275.00 CADSerigraph, Edition of 50
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
in this design
you see eaglesin this design
you see seagulls.in this design, I am attempting to mediate between literacy and Coast Salish visual art. Hence the punning of the title “sEAGLES,” which is a way of making a visual pun, and making literacy visual. At the top and bottom of this design, there is the suggestion of the letter “s,” which simultanously forms the eagle wings while defining the seagull heads. So visual punning is created through both the painted design and the title of this piece.
-lessLIE
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Salish Bracelet
lessLIE
$250.00 CADSerigraph, Edition of 100
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
“Coast Salish bracelets, collected only in the 18th and 19th centuries, were made of goat horn. Most of these bracelets had what some scholars believed to be decorative, non-representational deSIGNS (the sign and the signified. As a contemporary Coast Salish artist, it is my contention that these designs were an ambiguous and abstract way of visually expresSING the Coast Salish world view. For this reason, in the center of this design, I have placed two ambiguous, visually vague faces, which are flanked by abstract, “decorative” deSIGNS (take away the sign, and see the signified).
these aesthetic principles
are not mere aesthetic principles
they are actual principles
to live by in life
these motifs are not mere motifs
they are actual cultural beliefs
to live by in life
these designs are not mere designs
they are actual cultural interpretations
of the grand designs of the cosmos”
–lessLIE