Availability: Only 1 available
Original, Acrylic paint on Acid-free paper
Only 1 availableReserve this artwork
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or firstname.lastname@example.org and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Original, Acrylic on Acid-free paper
|Dimensions||25 x 20 "|
|LOC||CP - Gastown - PD9 - SPHG12|
|Artist||Burton F. Amos|
|Nation||Haisla / Tsimshian Nations|
Haisla / Tsimshian Nations
Burton Amos was born on June 10th 1963 in Kitimat, British Columbia, a port town off the northern coast. Burton is a member of the Haisla/Tsimshian nation. His traditional name is Ghe-Yal-Aghum, which in Kwakwaka’wakw translates to “Face that comes from the Beginning”. Burton currently resides in Vancouver, where he works in the film industry, on documentaries and short independent films, in addition to working as an artist and traditional carver.
Although being an artist and poet for most of his life, it wasn’t until he met Tsimshian/Cree artist Philip Gray in 2003, that he became serious about native art. In his visual work, Burton specializes in bentwood box-style design in his prints, regalia, masks, and small totems. He works in many media as a carver and printmaker and his work can found in private collections internationally. Along with his visual works, he also has a book of poetry that has taken 14 years to complete and will be published upon the completion of the accompanying artworks.
Burton Amos strives to preserve native languages and traditions through his many art forms, which each portray the sacredness of Haisla/Tsimshian culture and heritage in their own way. He plans to carry on the tradition of passing down his knowledge to his son and will continue to strive to give back to his community.
2009 Haida Masterworks, Coastal Peoples Gallery, Vancouver BC
2007 Coastal Legacy, Coastal Peoples Gallery, Vancouver BC
2006 Transcendence: a decade in perspective, Coastal Peoples Gallery, Vancouver BC
you may also like
Serigraph, Edition of 95
(For inquiries on custom framing, please contact the gallery)
The Beaver appears in Northwest mythology and is a family crest in many regions throughout the Northwest Coast. According to legend, the first Beaver was a woman, whose husband frequently went on long hunting and fishing trips. In his absence, his lonely wife took solace swimming, enlarging her pond with a dam and building her own water dwelling. Eventually, she transformed into a Beaver and their children were Beaver People, founding the Beaver lineage.
In mythology, they are often associated with the powerful undersea supernatural beings and the magic Giant Beaver can cause natural disaster with one slap of its wide, strong tail. Characterisically, the Beaver is known to keep to himself and cares little for the activities of the humans, except when they are directly affected. Thus, they often give wise advice so it is important to listen when they do decide to speak.