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Sterling silver, Catlinite, Abalone shell, Crystal
Only 1 available
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- Additional Information
- Artist Bio
Sterling silver, Catlinite, Abalone shell, Crystal
|Dimensions||1.75 x 1.5 x 0.25"|
|Artist||Derek J. White|
Derek White was born in 1965 and raised on Haida Gwaii. His father, Morris White, was a Chief of the Edinsu (Edenshaw) Eagle Clan of Kiusta until he passed away in 1997. Derek’s grandfather, Geoffrey White, was the grandson of the great carver, Charles Edenshaw. At a young age, his father gave up his career as a fisherman to become a full-time artist. He began carving silver, argillite, gold and wood.
Even with all the artistic influence in his house, Derek did not start carving until he finished high school. He carved small pieces, as well as helped his father and brothers carve a red cedar canoe and a carving shed. He was an apprentice under master carver Jim Hart in 1990 until 2000. He worked on several poles with him, including one in San Francisco and the Edenshaw Memorial Pole, which was raised in front of his Longhouse in August of 1999. Derek also worked extensively in his Longhouse, the Frog Constellation, on a large red cedar piece and some smaller projects. In 1995, he worked with his brothers Todd and Christian White and his brothers-in-law on the Cheif Edenshaw House Frontal Pole, which was carved and raised in 1995. This project was led by master carver Chris White.
In the year 2000, Derek worked in Skidegate for Tim Boyko and the Qay-llnaggay Heritage Centre Society on a pole that was raised in the Spring/Summer of 2001.
Derek is currently focusing on his art creating pieces in multiple media.
2004 Box of Treasures, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, BC. November.
2005 Where the Spirit Gathers, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, BC. November.
2006 Transcendence – a decade in perspective, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
2007 Coastal Legacy, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, B.C., November
2009 Haida Masterworks, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
2013 Haida Masterworks II, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
2017 Haida Masterworks III, Group exhibition at Coastal Peoples Fine Arts Gallery. Vancouver, BC.
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Price upon request
Sterling silver, Engraved
The Supernatural Log is more commonly referred to as Snag or Ts’Amos (Alternate spellings: Ttaamuus, Tsamaos). He is the personification of the seafaring Haidas’ obstacles while on the ocean in canoes; driftwood or deadheads. The Snag is an amorphous supernatural creature both in artwork and in legend and first appeared as a crest figure of families along the Skeena River. It is believed to have first appeared on jewelry designs by the famed Charles Edenshaw, whose father took the Snag as a crest.
A Snag can vary in appearance, much like the driftwood it imitates, but it almost always has a snag (deadhead) for a dorsal fin. It can be as simple as a dead log with a tail that can swim against the current. It can be a huge sea lion with dorsal fins and blowholes, or an enormous grizzly bear with a downturned mouth like a dogfish. It can be a hybrid of bear and Killerwhale, or raven and Killerwhale, with multiple bodies. It can be a large frog covered in seaweed with a snag sticking out of its back, and can even be a canoe or a schooner. Most visible at the change of tides, the Snag, if angered can breach and land on canoes, smashing them to bits. He also can make huge waves to capsize boats. The Snag was frequently featured as a protective figure on Bentwood Boxes that contained treasured artifacts, and is frequently depicted with Raven, its counterpart.
The Snag is a very important feature in the Haida legend of How the World Was Formed. Before there was the world as we know it, Raven was flying and flying and flying, and finally came to rest on a single rock, which was the tip of Haida Gwaii and the beginning of the world. This rock, was supported beneath (from the undersea world) by a stone house pole, which was in fact the fin of the Snag. It is therefore common to see the Raven and Snag in conjunction in Haida art. The Snag figure can be seen as an acceptance of responsibility for supporting the world, similar to the Atlas figure in Greek mythology.
It is believed the legends around the Snag was a warning for those who travelled by canoe to be more wary of their surroundings, especially at the change of the tides, and keep them alert on the water. When the tides change, deadheads and hidden logs or obstacles can suddenly appear and be a danger. As the Haida relied on trade with Mainland Nations to survive, it was pertinent for them to be adept at sea, paddling the vast distances to and from the islands to the coast.