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- Additional Information
- Artist Bio
Argillite, Catlinite, Mother of Pearl, Abalone shell
The Raven symbolizes creation, heroism, and transformation, and is one of the main crest figures of the Haida Nation. Mythologically, the Raven is the one who released the Sun and created the Moon, Stars and Universe.
|Dimensions||8.25 x 7 x 5.25"|
Christian White was born on July 17, 1962 in Queen Charlotte City, Haida Gwaii, B.C., and grew up in Masset. Christian’s predominant crests are Grizzly Bear, Dogfish, Raven Double-finned Killerwhale and Moon. Christian’s father, Morris White Chief Edenshaw was instrumental in teaching him the art of argillite carving at the age of fourteen. Christian belongs to a family of practicing artists and cultural preservers, his two brothers carve, his three sisters weaver cedar bark baskets and hats for cultural use, and his wife, Candice, is involved with elders and youths with regards to the preservation of language. In the past decade Morris and Christian White have been acknowledged as being large forces behind the revival of the art of canoe building and totem pole carving in Old Masset.
Carving since 1976, Christian’s mediums were wood, and whalebone, and has since successfully progressed to argillite. In more recent years argillite has become his primary medium, wood is a close second, often used specifically for cultural or ceremonial pieces. Christian had studied his cousins who had been carving in the late 60’s and who were, at that time, developing their own modern style. After researching the artwork of the 19th century Master’s along with the works of his cousin’s, Christian developed a personal style based on a narrative depiction of a specific moment within a myth or a story.
Christian hopes to influence the next generation of Haida artists, and has generally three apprentices on an ongoing basis. Several young people have come together in his community of Old Masset to form a traditional Haida song and dance group, “The Old Masset Dancers”. Christian believes performing the dances and singing the songs is a vital part of his culture and it makes him feel more complete as a person spiritually and physically.
2007 British Columbia Creative Achievement Award for First Nations' Art
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Deer hide, Sinew, Acrylic paint
The drum is considered one of the main percussive instruments, along with the rattle, which was used in traditional Northwest Coast ceremonies and cultural events. Its beat provides the basis from which dances, songs and oral histories are performed during a Potlatch.
Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice and perseverance.
Red Cedar wood, Yellow Cedar wood, Abalone shell, Acrylic paint, Leather
The carving of flutes of the Northwest Coast extends back historically through time. The dramatic importance of the flute was indicated by the variety of specialized whistles, each of which was produced to make specific tones. Songs and dances were part fo all ceremony and ritual, a fundamental element of the inherited privilege. Equally important were the many whistles and other musical instruments that were specifically designated for most dances. Wooden whistles of one, two or three shafts, each with several holes and reeds produced a strong and clear note. Flutes and whistles were traditionally blown in the woods to introduce the cermonial season. Every instrument was the object of time, skill and concern and was considered by those who owned it as a necessary part of the family’s collection
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Argillite, Catlinite, Mother of Pearl, Abalone shell
According to the oral traditions of the Northwest Coast, there was once a man named Gunarh whose beautiful wife was kidnapped by a Killerwhale. He took her to the underwater village of the powerful Killerwhale People, and planned to wed her as soon as he could create a dorsal fin and attach it to her back. However, Gunarh was determined to rescue his beloved. He undertook a series of perilous tasks, going so far as to ride on the back of a mighty Killerwhale to reach the village in the depths of the sea. There, Gunarh successfully extracted his wife from the Chief Killerwhale’s longhouse, rescuing his love and returning with her to their own earthly village.
This is a common myth amongst the Haida people but there are many versions of this legend base on the Nation which is telling the story. In some versions, Gunarh is instead called Nanasimget.
Argillite, Mother of Pearl, Abalone shell, Mastodon Ivory
The intelligent Eagle symbolizes status, power, peace and friendship. Eagle feathers are considered a sacred part of many ceremonies and rituals. The Eagle is known to mate with one partner for a lifetime.
In Haida legend, the Eagle and Raven are close companions and serve as alter egos.
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
Price upon request
Argillite, Catlinite, Abalone shell
Argillite is grey colour and a relatively soft stone to carve which hardens over time as it begins to oxidize once removed from the mine. As it is relatively a limited resource, it is difficult to obtain large pieces from the quarry. Apart from small totem poles like this, the kinds of objects carved from Argillite include plates with carved and incised designs, pendants, pipes, small boxes, and sculptured figures.
Argillite, Catlinite, Abalone shell, Sterling silver
The Frog symbolizes luck, prosperity, stability and healing. As a communicator, Frogs connect with the world on land and under water. This figure is often carved into totem poles to prevent them from falling over.