Raven’s Tail Chilkat Miniature Apron / Mask
Availability: Only 1 available
Ultrasuede, String
7 x 8.5″ (mask only)
14 x 14 x 4.25 (with display case)
“I wanted to create a piece that was emblematic of this time. Something [that was] meaningful to me and that would represent my culture. I wanted to keep the traditional aspect intact, so I made the mask resemble a miniature dance apron. Although these masks are strictly decorative, I have added ties so they can be put on the face for photos to represent that they are masks.” – Trace Yeomans
CA$2,500.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Ultrasuede, String
7 x 8.5″ (mask only)
14 x 14 x 4.25 (with display case)
“I wanted to create a piece that was emblematic of this time. Something [that was] meaningful to me and that would represent my culture. I wanted to keep the traditional aspect intact, so I made the mask resemble a miniature dance apron. Although these masks are strictly decorative, I have added ties so they can be put on the face for photos to represent that they are masks.” – Trace Yeomans
Product Number | I-73973 |
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Exhibition Code | YEO22 |
Artist | Trace Yeomans |
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Nation | Haida Nation |
Description | Haida Nation Trace Yeomans was born on Haida Gwaii to a Haida mother and a Ukrainian father. She has been an artist for most of her life, prompting her to pursue this passion throughout high school, and to acquire post-secondary training. Her passion has always been painting but she is also known for her beautiful Dance Regalia with appliqued Haida designs and fabric art techniques, some of which are displayed in museums around the world. Trace has frequently worked with her husband, Don Yeomans, combining their respective skills to create unique and critically acclaimed artwork, examples of which can be seen in her fabric art and paintings. She has also worked alongside him painting and carving on several totem pole commissions, including the monumental poles in the rotunda of the Vancouver International Airport. Trace has explored many mediums during her art career but always circles back to her first love – oil painting. Trace and Don have passed down their creative skills to their children, Kyran and Crystal. Both of their children are now independent artists, recognized in their own right. Their son for his film work and their daughter for her fashion design. For more details on her Exhibitions, Public Commissions and Permanent Collection, please contact us directly. |
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lessLIE
CA$450.00Serigraph, Edition of 100
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
“As a contemporary Northwest Coast artist, the de-contextualization of Northwest Coast art is of great interest to me. By some scholars and Northwest Coast traditionalists, Northwest Coast ceremonial art has generally been perceived as de-contextualized when taken away from its ceremonial context. When the words and songs and dances are taken away from Northwest Coast art, it is perceived by some as being robbed of its meaning; hence the title “Con Text.” As a contemporary Coast Salish artist, one of the undertakings of my work is to create a new context for Coast Salish art through the utilization of text.”
–lessLIE
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Challenging Traditions: Contemporary First Nations Art of the Northwest Coast
Ian M. Thom
CA$60.00In a stunning resurgence over the past few decades, contemporary First Nations artists of the Northwest Coast have established themselves as among the most dynamic and important artist working in North America. Challenging Traditions honours this success by presenting the work of 40 of the most celebrated living artists, whose achievements reveal an accomplished melding of contemporary vitality with traditional genres. The work of such acknowledged masters as Robert Davidson, Dempsey Bob, Susan Point, Preston Singletary, Lawrence Paul Yuxweluptun, Jim Hart, and Richards Hunt, plus many younger artists, is presented in 100 colour photographs of primarily new pieces, amply demonstrating that the historic strengths of Northwest Coast culture are alive, well and continuously evolving.
For more than a century, the state and church actively discouraged First Nations from pursuing their traditional cultures, but they persisted in keeping alive their art and ceremony. With the rise of cultural and political activism, Native art is now flourishing on an unprecedented scale. Many artists are examining the meaning and purpose of First Nations art in the twentieth-century, while following traditions and boldly experimenting with innovative subjects, techniques and materials.
Ian Thom explores these contradictions by describing the career, working methods and philosophy of each artist, all of whom he interviewed especially for this book. He also discusses at least two significant recent artworks by each artist.
Both senior and younger artists from all of the major First Nations on the Northwest Coast are featured, working in a variety of media and styles: groundbreaking abstract painting and metal sculptures, painstakingly woven spruce root hats and ceremonial woollen robes, works in glass, masks, carved panels, painted drums, striking political paintings, “Haida manga,” jewelry, carved argillite works and bentwood boxes.
This book is beautiful, provocative introduction to the best contemporary First Nations art of the Northwest Coast, in the words and works of some of its leading lights.
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Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Hawk Moon Pendant
Rick Adkins
Price upon request22K Yellow Gold, Abalone shell, Cast
Edition of 12
2007
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Salmon Sculpture
Chester (Chaz) Patrick
CA$980.00Exclusive to Coastal Peoples Fine Arts Gallery
Glass; etched and sandblasted (Glass thickness 12mm)
Maple wood base
Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice and perseverance.
Shortages of Salmon are traditionally attributed to human disrespect and refusal to listen to and live by the wisdom of elders. The Pacific Northwest Coast peoples believed that Salmon were actually people with eternal life who lived in a large house far under the ocean. In spring, they put on their Salmon disguises and offered themselves to humans as food.
Other works by this artist
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Moon Woman Mask [Edition 4]
Trace Yeomans
CA$8,000.00Cast Forton
Hand painted on board, Acrylic paint
Framed
Limited edition 4 of 12
11.5 x 11.5 x 4″ (Mask only)
21 x 21 x 4.5″ (Framed)
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Moon Woman Mask [Edition 3]
Trace Yeomans
CA$8,000.00Cast Forton
Hand painted on board, Acrylic paint
Framed
Limited edition 3 of 12
11.5 x 11.5 x 4″ (Mask only)
21 x 21 x 4.5″ (Framed)
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Eagles with Salmon Toilet Paper Dispenser
Trace Yeomans
CA$7,000.00Ultrasuede, Douglas Fir wood, Yellow Cedar wood, Acrylic paint
25.5 x 6 x 11.25″ (rolled, including stand)
144 x 4″ (unfurled, without stand)
“This was a piece that came to mind during the ‘toilet paper panic’ during the early stages of this pandemic. I thought it was peculiar that people were lined up and panicked about buying toilet paper, sanitizer, and masks rather than food and water. I wanted to create a modern looking, free standing art piece that – like the masks I created – would be emblematic of the times we are in, but would also hold the traditional aspects of my culture…I felt that this piece would be something that the whole world could relate to and understand, even if they know nothing about Haida art.” – Trace Yeomans
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Raven Paddle
Trace Yeomans
CA$6,000.00Yellow Cedar wood, Acrylic paint
“I had never painted a paddle before this one. I wanted to try something that was bold, modern, and eye-catching, but still traditional in the Haida design sense, so I chose black and red that together reads a bit electric.” – Trace Yeomans