Availability: Only 1 available
“Red Sky” Finish
Only 1 available
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
“Red Sky” Finish
|Dimensions||1.25 x 0.75 "|
Gwaai Edenshaw (Hluugiitgaa) is an Eagle from the Ts’aalth clan. He was born in 1977 to Jenny Nelson, an author and teacher, and Guujaaw, a drummer, carver and former president of the Council for the Haida Nation.
Gwaai, as a baby, hung from a pole in Skidegate in his Jolly Jumper while his father carved. Since then, his experience in creating art has ranged from comic book drawing, to totem pole carving, to creating gold, silver and argillite jewelry.
The late Bill Reid began mentoring and training him in the traditional forms of Haida art when Gwaai was sixteen. At the age of nineteen, Gwaai worked on his first totem pole under his father, Guujaaw. It was a forty-footer, which now stands in Indonesia. Since then, he has worked on three additional poles with his father.
In 2002, Gwaai assisted Michael Nicoll Yahgulanaas with his graphic novel, “A Tale of Two Shamans.” This experience nurtured a penchant for more experimental themes in Haida art.
As a graduate of Vancouver Community College, Gwaai studied Jewelry Art and Design. Casting was of particular interest to him and remains his preferred medium to this day. His works boast a refined and delicate design, complemented with Abalone shell embellishment. His miniature scale jewelry pieces are delicate and intricate, exemplifying his attention to detail.
In the last few years, Gwaai has branched out to film and co-directed on ‘Edge of the Knife’ – the first feature film to tell a story about the Haida people set in the 19th century and performed entirely in the Haida language. It premiered at the 2018 Toronto International Film Festival in September.
Gwaai is also one of the founding members of the Q’altsi’da Kaa players, who are currently engaged in their inaugural project, “Sounding Gambling Sticks,” a play to be performed entirely in the Haida language. He currently lives on Vancouver Island.
you may also like
Price upon request
Sterling silver, Engraved
The Supernatural Log is more commonly referred to as Snag or Ts’Amos (Alternate spellings: Ttaamuus, Tsamaos). He is the personification of the seafaring Haidas’ obstacles while on the ocean in canoes; driftwood or deadheads. The Snag is an amorphous supernatural creature both in artwork and in legend and first appeared as a crest figure of families along the Skeena River. It is believed to have first appeared on jewelry designs by the famed Charles Edenshaw, whose father took the Snag as a crest.
A Snag can vary in appearance, much like the driftwood it imitates, but it almost always has a snag (deadhead) for a dorsal fin. It can be as simple as a dead log with a tail that can swim against the current. It can be a huge sea lion with dorsal fins and blowholes, or an enormous grizzly bear with a downturned mouth like a dogfish. It can be a hybrid of bear and Killerwhale, or raven and Killerwhale, with multiple bodies. It can be a large frog covered in seaweed with a snag sticking out of its back, and can even be a canoe or a schooner. Most visible at the change of tides, the Snag, if angered can breach and land on canoes, smashing them to bits. He also can make huge waves to capsize boats. The Snag was frequently featured as a protective figure on Bentwood Boxes that contained treasured artifacts, and is frequently depicted with Raven, its counterpart.
The Snag is a very important feature in the Haida legend of How the World Was Formed. Before there was the world as we know it, Raven was flying and flying and flying, and finally came to rest on a single rock, which was the tip of Haida Gwaii and the beginning of the world. This rock, was supported beneath (from the undersea world) by a stone house pole, which was in fact the fin of the Snag. It is therefore common to see the Raven and Snag in conjunction in Haida art. The Snag figure can be seen as an acceptance of responsibility for supporting the world, similar to the Atlas figure in Greek mythology.
It is believed the legends around the Snag was a warning for those who travelled by canoe to be more wary of their surroundings, especially at the change of the tides, and keep them alert on the water. When the tides change, deadheads and hidden logs or obstacles can suddenly appear and be a danger. As the Haida relied on trade with Mainland Nations to survive, it was pertinent for them to be adept at sea, paddling the vast distances to and from the islands to the coast.
Argillite, Abalone Shell, Sterling Silver, Mastodon ivory
The Hawk takes its place in the supernatural spiritual world, inspiring unique designs for masks, rattles and jewelry. For the Haida Nation, it was used to represent the Thunderbird. Often associated with the Sun, the Hawk can be distinguished by its curled beak which curves to meet the tip of the lower jaw.
When the Raven brought light to the world, some versions of the legend say that it was the Hawk who made the Raven drop the box so it opened, releasing the Sun, Moon and Stars into the Universe.
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
Other works by this artist
Sterling silver, Impressed
From Gwaai Edenshaw:
“Like fragmented artifacts or a keyhole peek at a larger design, this is the essence of the Regalia Line. From an idea conceived over a decade ago, through techniques fine-tuned over the last 5 years comes a new line by designer Gwaai Edenshaw.
Initiation is the inaugural collection by Regalia. These one-of-a-kind pieces merge Haida tradition with modern fashion for a distinct combination of quality and style.
Once embossed on sterling silver or gold sheets, specific images are carefully chosen for their aesthetic and narrative qualities. These are then shaped and polished by hand ensuring no two pieces will ever be alike.”
Sterling silver, Copper (Artist’s Signature Seal), Impressed
Part of Gwaai’s Regalia jewelry line, featuring handmade works that depict abstraction of the Haida form. The motifs impressed on each piece are borrowed from a dismantled a bentwood box design featuring variations of the Raven story. As an extension of this original concept, Gwaai has developed other themes such as reinterpreting Naxiin or Chilkat blanket weaving designs. After embossing on sterling silver or copper sheets, each specific design is carefully chosen for its aesthetic and narrative qualities. They are then shaped and polished by hand, ensuring no two pieces will ever be identical.