Salmon Panel
Availability: Only 1 available
Red Cedar wood
Price available on request
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- Description
- Additional Information
- Artist Bio
Red Cedar wood
Dimensions | 48 x 48 x 3" (121.92 x 121.92 x 7.62cm) |
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Product Number | I-99517 |
Artist | Don Yeomans |
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Nation | Haida / Metis Nations |
Description | Haida / Metis Nations Born on June 29, 1958, in Prince Rupert, BC, Don Yeomans is one of the most respected and renowned Northwest Coast Native artists. Born of a Masset Haida father and a Metis mother from Slave Lake, Alberta, Yeomans has studied and worked in the Haida Style since he was a youth. As a young man, Yeomans apprenticed under the expert guidance of his aunt, Freda Diesing. He worked with Robert Davidson RCA on the Charles Edenshaw Memorial Longhouse and completed a jewelry apprenticeship with Phil Janze. Yeomans has also studied fine art at Langara College in Vancouver. He has worked with many acclaimed Northwest coast artists, including Bill Reid, Robert Davidson, Phil Janze and Gerry Marks, studying their styles, techniques and philosophies. Don Yeomans crafts his artworks in many materials: he creates exquisite jewelry pieces in gold and silver, paints elegant Haida designs on paper, produces outstanding prints and is one of the finest carvers. His work can be found in the University of British Columbia’s Museum of Anthropology, the Royal British Columbia Museum, the Canadian Museum of Civilization, and the Seattle Art Museum. In 2002 he completed a major totem pole commission for Stanford University. |
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People of the Eagle Frontlet
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“People of the Eagle” Frontlet, masterfully carved and painted by Kwakwaka’wakw artist Barry Scow, represents the Chief and his people of the Eagle clan. True to form of Barry’s fine carving, this frontlet portrays the Eagle with Sun, and commemorates Barry’s link to his Grandfather, who was a Chief, and to his heritage.
A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
Other works by this artist
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Energy Dance Panel [3 Tiles]
Don Yeomans
CA$3,600.00Plaster
Limited edition
9 Tiles in total [available in sets of 3, 6 or 9] – ask us for details.
Plaster is suitable for both outdoor and indoor display.
This extraordinary piece stands as a resplendent tribute to one of the Pacific Northwest Coast’s paramount and revered sources of vitality: the Salmon. Salmon, an integral and indispensable facet of life in this region, has left an indelible imprint on the cultures, interactions, technologies, and spiritual beliefs of the Pacific Northwest Indigenous communities.
“Water gives energy to the salmon.” – Don Yeomans
In this quote, the artist encapsulates the spiritual and life-sustaining essence bestowed upon this remarkable creature. Revered as a gift from the Creator, Salmon transcends its physical form to embody abundance, regeneration, self-sacrifice, and perseverance. The shape of the body allows Salmon to defy gravity as it dances upstream to fulfil its essential role within the cycle of our lives.
This masterpiece skillfully converges nine distinct Salmon into a harmonious whole, thereby creating a symbol of unification that mirrors the interconnectedness of our existence.
Each meticulously rendered Salmon pays homage to the mastery of the artist as well as the intricate dance of life and energy that defines the West Coast Indigenous communities.
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Moon & Ravens Mask
Don Yeomans
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Cast Forton is suitable for both outdoor and indoor display.
“When I decided to carve a Moon mask, I wanted it to depict something beyond Haida legend. Traditionally, Raven is represented with the Sun and Moon because of his role in placing these heavenly elements into our sky. With my mask, the female Moon is surrounded by two Ravens – a male and female. They represent myself and my wife Trace, as we are both from the Haida Raven clan. Looking at the stars and moon on clear nights just happens to be one of our favourite things to do.” – Don Yeomans
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Killerwhale Triptych Panels
Don Yeomans
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36 x 24.75 x 2″ (each panel)
36 x 74.25 x 2″ (entire triptych)
“I have always loved patterns in design. The goal in this series was to represent a pod of whales in a very traditional colour & design. The biggest challenge for me in this was the absolute [tedium] I experienced having to carve the same design three times.” – Don Yeomans