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- Additional Information
- Artist Bio
|Dimensions||1.25 x 1 "|
Born in 1960 in Queen Charlotte City on the Queen Charlotte Islands, British Columbia, Tim has been carving for over 25 years. Currently, Tim lives in Uearset.
He first began carving at the young age of 14, and his primary medium by choice was Argillite, which is a black shale stone indigenous to the Queen Charlotte Islands. Eventually, Tim progressed to jewelry and his favourite metal, silver.
As Tim notes, “We used to steal Billy's (Bellis) mom's quarters. The quarters made before 1968 had enough silver in them to work with. We'd pound them into shape, and make pendants out of them,” he says. “I love silver because it's got a nice feel to it, it's soft.”
His apprenticeships were with luminary artists, such as Bill Reid during the 1980’s, prominent Argillite artist Alfie Collinson, as well as carving canoes with Morris White (Christian White’s father).
After 20 years of carving, Tim embarked upon his newest medium, wood carving. He carved a small totem for Skidgate Elementary School, but his first major work was a Sgaang Gwaii Pole at Qay’llnagaay where he was among the lead carvers. Tim says the design was inspired by a house frontal pole raised on Sgaang Gwaii.
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Argillite, Abalone Shell, Sterling Silver, Mastodon ivory
The Hawk takes its place in the supernatural spiritual world, inspiring unique designs for masks, rattles and jewelry. For the Haida Nation, it was used to represent the Thunderbird. Often associated with the Sun, the Hawk can be distinguished by its curled beak which curves to meet the tip of the lower jaw.
When the Raven brought light to the world, some versions of the legend say that it was the Hawk who made the Raven drop the box so it opened, releasing the Sun, Moon and Stars into the Universe.
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.