Salmon’s Journey
Availability: Only 1 available
Serigraph, Edition of 150
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
22 x 22"
$250.00 CAD
Only 1 available
Reserve this artwork- Description
- Additional Information
- Artist Bio
Serigraph, Edition of 150
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
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Spirits of Our Time
Rande Cook
$300.00 CADSerigraph, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
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Sun of Hummingbirds
lessLIE
$250.00 CADSerigraph, Edition of 100
2006
Unframed
(For inquiries on custom framing, please contact the gallery)
“This rectangular Coast Salish design depicts the sun flanked by four hummingbirds. The round split u-forms at the ends of the design suggest red flower petals. Rufous Hummingbirds, a species of hummingbird that migrates to Coast Salish territory in the spring, are drawn to red colours, sometimes mistaking anything red for flowers from which they can feed on nectar. As a contemporary Coast Salish artist, I have always been fascinated by hummingbirds because of their beautiful appearance, small size, and unique way of flying. Whenever I hEAR hummingbirds swooping down around wooded areas, I am reminded that spring and warm weather have arrived.”
–lessLIE
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Tranquility
Andy Everson
$200.00 CADGiclee, Edition of 50
2001
Unframed
(For inquiries on custom framing, please contact the gallery)
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Spirit Song Echoing the Future
Susan Point RCA
$960.00 CADSerigraph, Edition of 100
2003
Unframed
(For inquiries on custom framing, please contact the gallery)
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Mother Bear Mask
Eugene Alfred
$4,400.00 CADBirch wood, Acrylic paint
8 x 6.25 x 2.5″
9.5 x 7 x 4.5″ (including stand)
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Shaman Panel
Eugene Alfred
RESERVEDYellow Cedar wood, Acrylic paint
Eugene Alfred’s stunning Shaman Panel is a masterfully carved and finely painted work of art, depicting a mysterious Shaman wrapped up in a bright cloak. The cloak is designed to look like a Raven, and is accompanied by a matching Raven frontlet.
Shamans were typically a chief of the village or a person of high-ranking stature who followed the directions given by their spirit helper. After a Shaman’s initial encounter with their helper, the spirit would turn into foam and disappear, uttering a word just before they left. This word would become the name the Shaman would use when asked to cure someone.
Prior to their disappearance, spirit helpers often left behind a physical object relating to their presence. These objects served as tokens of the encounters, and were considered to be great treasures. In addition to these treasures, Shamans would wear cedar bark ornamentation and face paint, and often utilized ceremonial objects such as rattles while performing their ritualistic songs and dances. These objects served as tokens of the encounters. This paraphernalia would enhance the spiritual presence in order to bring about supernatural powers of healing.