Availability: Only 1 available
Yellow Cedar, Abalone shell
Only 1 available
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- Additional Information
- Artist Bio
Yellow Cedar, Abalone shell
|Dimensions||3.75 x 16.75 x 2.5"|
|Artist||Wilf J. Sampson|
Wilf Sampson was born in Hazelton, British Columbia, Canada in 1957. He is a member of the Gitksan Nation, which inhabits the Northern coast of the province.
Wilf has been designing and carving Northwest Coast Native art since 1981. He initially taught himself by looking through books and by observing the works of other artists. Motivated by the beauty of the art, as well as the sense of accomplishment, Wilf completed the beginners and advanced carving and design courses at the Gitanmaax School of Northwest Coast Art and Design in Hazelton in 1984. While at the school, Wilf honed his talents and skills under master artists such as Walter Harris, Earl Muldoe, Ken Mowatt and Vernon Stevens. Wilf obtained additional inspiration and guidance from realist artist and Native art enthusiast, Ron Burleigh.
Wilf Sampson takes great pride in continuing the traditions of Northwest Coast Native art, exemplified in his carvings and paintings. All of his works are original designs, many of which invoke contemporary as well as traditional designs and motifs. He specializes in carved and painted decorative masks as well as original paintings.
Many of his works are in private collections and galleries around the world, including Japan, the United States and several countries in Europe. Wilf plans to pursue his career as an artist by enrolling in further studies of art and by continuing to carve, paint and design.
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One day, the man’s wife was washing sea otter skins near the ocean, when a Killerwhale arose from the surface. It coaxed her into the water and carried her seaward while her husband watched in disbelief. Without hesitation, he quickly decided to follow them until the Killerwhale dove near a two-headed kelp, which prevented him from going any further. He was feeling quite distraught as he returned back to the village but by then he had decided to seek the help of his uncle, the Frog.
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Once the fast was completed, the man embarked on his quest until he came across the kelp he had encountered before. He tied his canoe to the kelp along with his possessions and climbed down beneath the surface to find himself in another world. He followed a path where he encountered three blind women that resembled Geese. He used his medicine to cure two of the women while the third one chose not to accept the medicine. The cured women vowed to repay him for his deed. As he proceeded onward, the man came across two slaves, from the Killerwhale clan, chopping wood. As they proceeded to chop the wood, the head of their axe fell off and they began to cry knowing the consequences they would face from the Chief. The man stopped to assist them and in return they directed him to his wife’s dwelling. The slaves warned the man of the watchmen pole that stood in front of the longhouse protecting the inhabitants. The watchmen had the ability to scent out and watch out for intruders.
While he proceeded further on his path and thought about how to divert the watchmen, the man encountered a Heron repairing a canoe without success. The man stopped to offer him his gimlet to successfully repair the canoe. In return for his generosity, the Heron helped conceal the man under his wing blanket from the Black Whale guards and the watchmen. He successfully entered the longhouse to happily find his wife. At this point, the watchmen discovered the man taking his wife back with him, but were unable to stop him.
When the man arrived back with his wife to his village he felt a different connection with her, as though she was not herself. At night, he would keep her in a bentwood box, but one morning when he awoke, to his surprise she escaped. She left to be with her Killerwhale family and fully transformed into a Killerwhale. This was the last he saw of her.
4.75 x 10.25 x 1.25″ (without base)
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Other works by this artist
Yellow Cedar wood, Abalone shell
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