Availability: Only 1 available
Yellow Cedar, Abalone shell
Only 1 available
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Yellow Cedar, Abalone shell
|Dimensions||3.75 x 16.75 x 2.5"|
|Artist||Wilf J. Sampson|
Wilf Sampson was born in Hazelton, British Columbia, Canada in 1957. He is a member of the Gitksan Nation, which inhabits the Northern coast of the province.
Wilf has been designing and carving Northwest Coast Native art since 1981. He initially taught himself by looking through books and by observing the works of other artists. Motivated by the beauty of the art, as well as the sense of accomplishment, Wilf completed the beginners and advanced carving and design courses at the Gitanmaax School of Northwest Coast Art and Design in Hazelton in 1984. While at the school, Wilf honed his talents and skills under master artists such as Walter Harris, Earl Muldoe, Ken Mowatt and Vernon Stevens. Wilf obtained additional inspiration and guidance from realist artist and Native art enthusiast, Ron Burleigh.
Wilf Sampson takes great pride in continuing the traditions of Northwest Coast Native art, exemplified in his carvings and paintings. All of his works are original designs, many of which invoke contemporary as well as traditional designs and motifs. He specializes in carved and painted decorative masks as well as original paintings.
Many of his works are in private collections and galleries around the world, including Japan, the United States and several countries in Europe. Wilf plans to pursue his career as an artist by enrolling in further studies of art and by continuing to carve, paint and design.
you may also like
Yellow Cedar wood, Red Cedar wood, Opercula shells, Acrylic paint
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
The Chief of the Sea is the highest deity of the Haida ocean spirits. The Chief has great transformative powers and the ability to move on both land and sea, usually in his known forms; animal or human.
Elk hide, Sinew, Acrylic paint
The drum is considered one of the main percussive instruments, along with the rattle, which was used in traditional Northwest Coast ceremonies and cultural events. Its beat provides the basis from which dances, songs and oral histories are performed during a Potlatch.
The Thunderbird is a supernatural, mythical creature that lives high in the mountains and feeds on Killerwhale. It’s been aptly named for the thunder that rolls off its wings and lightening comes from its eyes when it flies.
Sterling Silver; Repousse, Engraved
Derek White’s extraordinary Beaver & Eagle Fish Bowl, created in the traditional Haida form and utilizing the ancient technique of repousse to add dimension, demonstrates his articulate master carving and artistry skills. Containers such as bowls were traditionally created out of Cedar or Alder wood and utilized in daily life. The chosen medium of silver serves as a contemporary progression of this ancient art form while illustrating the intricate foundational links which combine cultural heritage with the arts.