Availability: Only 1 available
Yellow Cedar, Abalone shell
Only 1 availableReserve this artwork
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Yellow Cedar, Abalone shell
|Dimensions||3.75 x 16.75 x 2.5"|
|Artist||Wilf J. Sampson|
Wilf Sampson was born in Hazelton, British Columbia, Canada in 1957. He is a member of the Gitksan Nation, which inhabits the Northern coast of the province.
Wilf has been designing and carving Northwest Coast Native art since 1981. He initially taught himself by looking through books and by observing the works of other artists. Motivated by the beauty of the art, as well as the sense of accomplishment, Wilf completed the beginners and advanced carving and design courses at the Gitanmaax School of Northwest Coast Art and Design in Hazelton in 1984. While at the school, Wilf honed his talents and skills under master artists such as Walter Harris, Earl Muldoe, Ken Mowatt and Vernon Stevens. Wilf obtained additional inspiration and guidance from realist artist and Native art enthusiast, Ron Burleigh.
Wilf Sampson takes great pride in continuing the traditions of Northwest Coast Native art, exemplified in his carvings and paintings. All of his works are original designs, many of which invoke contemporary as well as traditional designs and motifs. He specializes in carved and painted decorative masks as well as original paintings.
Many of his works are in private collections and galleries around the world, including Japan, the United States and several countries in Europe. Wilf plans to pursue his career as an artist by enrolling in further studies of art and by continuing to carve, paint and design.
you may also like
Price upon request
Cattle Bone, Abalone shell, Cedar bark
Commonly used by a Shaman, soul catchers were used to cleanse human souls and spirits. If a person was sick, or perhaps possessed by a demon spirit, the soul catcher was used to coerce the evil spirit out of the body. The open ends were caped with cedar bark to hold the soul until it was cleansed and brought back from the spirit world. The healed soul of the recipient was then returned to the body by the Shaman by blowing through the soul catcher and into to the patient’s mouth.
The shape of the soul catcher is typically cut from animal bone in such a way that the ends are flared outward and the surface is carved with figures associated with the Shaman’s spirit guides. Spirit guides accompany the human spirit or soul on its transformative journey between worlds. The ends of the Soul Catcher were sealed to contain these spirits. They also protect the boundaries between the physical and spiritual world, keeping those involved in the healing ceremony safe from evil minded spirits and beings. The symmetrical arrangement of the figures essentially defines objects of this type and the figures tend to more sculptural in appearance.
Soul catchers are extremely powerful and respected healing instruments; because of this, they were often housed in special bentwood boxes to keep them safe.
Soul Catcher: 1.25 x 6.75 x 1.25″
Including Stand: 3.25 x 6.75 x 1.5″
Box: 5.75 x 8.75 x 5″
Other works by this artist
Red Cedar wood, Yellow Cedar wood, Operculum shell, Acrylic paint
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
The intelligent Eagle symbolizes status, power, peace and friendship, while the Raven is associated with Creation, Heroism, Transformation. The Wolf is a symbol of patience, individuality and protection.