Availability: Only 1 available
Red Cedar wood, Acrylic paint
Only 1 available
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- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
|Dimensions||16.25 x 14 x 5"|
|Nation||Coast Salish / Kwakwaka'wakw Nations|
Coast Salish / Kwakwaka’wakw Nations
Klatle Bhi, pronounced “Klath Bay”, was born in North Vancouver, British Columbia in 1966. His name, given to him by his grandmother, Emily Baker, means “Head Killerwhale of a pod of Killerwhales.”
His interest in the art world began at a young age with avid study of his ancestors who were featured in museums and galleries. He spent two years apprenticing with master carver Simon Dick and attributes a large part of his success to this time.
Klatle Bhi spent many hours with Wayne Alfred, Wade Baker, and Rick Harry absorbing their understanding and knowledge of Native culture. His uncle, T. Richard Baker, has shared with Klatle the knowledge he has gained over many years of working with renowned Haida artists Bill Reid, Robert Davidson and Jim Hart.
Klatle is committed to the spiritual and cultural expression of his people. He has taken part in cultural events such as mask dancing, singing, Potlaching as well as playing a prominent role in the revival of sea-going canoe journeys. Many of his carvings and graphics express his personal and spiritual journey. To Klatle, creating with his hands serves as a source of purification and learning.
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Price upon request
Norman Tait with Lucinda Turner
Alder wood, Copper, Cedar rope, Horse hair, Operculum shells, Acrylic paint, Leather
Norman Tait’s exceptional Sun Hawk Mask stems from his father’s clan, the Tlingit Nation ancestry, and primarily represents one of his father’s family crest figures. While this exquisite mask depicts elements of a human face, the additional features, such as the beak, allude to its supernatural connection. Constructed from Alder wood, the wood’s unique grain is a strong element within the design and is used to exemplify the mask’s delicate human-like structure. Furthermore, the addition of acrylic paint and the stark horsehair locks add life to this Humanized Supernatural-being.
Featured in Finding A Voice: The Art of Norman Tait
10.5 x 9 x 7″ (excluding hair)
Alder Wood, Abalone, Hair, Sea Lion Whiskers, Acrylic Paint
The regalia of a privileged Matriarch would include wearing a frontlet as a headdress when attending special ceremonies. Frontlets are typically worn by high-ranking individuals as a display of crests and status. Often, they are decorated with materials that imply great wealth and power, such as Abalone shell and Sea Lion whiskers.