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- Additional Information
- Artist Bio
|Dimensions||1.75 x 3/8" (4.45 x 0.95cm)|
Gwaai Edenshaw (Hluugiitgaa) is an Eagle from the Ts’aalth clan. He was born in 1977 to Jenny Nelson, an author and teacher, and Guujaaw, a drummer, carver and former president of the Council for the Haida Nation.
Gwaai, as a baby, hung from a pole in Skidegate in his Jolly Jumper while his father carved. Since then, his experience in creating art has ranged from comic book drawing, to totem pole carving, to creating gold, silver and argillite jewelry.
The late Bill Reid began mentoring and training him in the traditional forms of Haida art when Gwaai was sixteen. At the age of nineteen, Gwaai worked on his first totem pole under his father, Guujaaw. It was a forty-footer, which now stands in Indonesia. Since then, he has worked on three additional poles with his father.
In 2002, Gwaai assisted Michael Nicoll Yahgulanaas with his graphic novel, “A Tale of Two Shamans.” This experience nurtured a penchant for more experimental themes in Haida art.
As a graduate of Vancouver Community College, Gwaai studied Jewelry Art and Design. Casting was of particular interest to him and remains his preferred medium to this day. His works boast a refined and delicate design, complemented with Abalone shell embellishment. His miniature scale jewelry pieces are delicate and intricate, exemplifying his attention to detail.
In the last few years, Gwaai has branched out to film and co-directed on ‘Edge of the Knife’ – the first feature film to tell a story about the Haida people set in the 19th century and performed entirely in the Haida language. It premiered at the 2018 Toronto International Film Festival in September.
Gwaai is also one of the founding members of the Q’altsi’da Kaa players, who are currently engaged in their inaugural project, “Sounding Gambling Sticks,” a play to be performed entirely in the Haida language. He currently lives on Vancouver Island.
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Other works by this artist
The “Baby Momma” is a stylized version of a Mother effigy, one of the first themes depicted in sculpture by humankind. The design is meant to evoke the shape of a pregnant woman, with a stylized head and swollen belly.
with Jaalen Edenshaw
Lithograph, Edition of 100
(For inquiries on Custom Framing, please contact the gallery)
“The Great Box” depicts the story of a Kuna Ka T’aa a powerful supernatural being who is known as both the Wealth Bringer and the Whale Eater. The Edenshaw brothers choose to photograph the back of the box for this lithograph. The image was then re-worked to embrace both of their individual artistic styles in a collaborative nature.
It’s a culmination of a project that they undertook in Oxford, England to create a response box inspired by a historic Haida artifact, known simply as “The Great Box.” They formed a box of matching dimensions from an old growth cedar plank in Masset on Haida Gwaai and brought it over to Oxford with them to carve alongside the original. Throughout the entire process they centered their focus on learning from their ancestor; taking great care in studying the box’s complex formline, deliberately replicating each carving stroke of the Master artist to better understand their vision. They titled their completed piece The Great Box Considered and it returned to Haida Gwaai where it now resides.