Availability: Only 1 available
Serigraph, Edition of 50
Only 1 available
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- Additional Information
- Artist Bio
Serigraph, Edition of 50
|Dimensions||22 x 22 "|
|LOC||CP - - PD7 -|
|Nation||Coast Salish Nation|
Born in 1973 in Duncan, B.C., lessLIE is Coast Salish of Cowichan, Penelakut, Esquimalt, Irish, Italian, and French descent. His colonized, Catholic, Canadian name is Leslie Robert Sam. His decolonized artist’s name is lessLIE. Hitler once said that the bigger the lie you tell, the more people you can get to beLIEve in it. Hitler was a proponent of racism, genocide, and imperialism, which are political forces which lessLIE is fighting against. Picasso once said that art is a lie that tells the truth. In the spirit of the trickster traditions of the Northwest Coast, lessLIE partially beLIEves in this perspective of Picasso’s. lessLIE has a Bachelor of Arts degree in First Nations Studies from Malaspina University-College in Nanaimo, B.C. While working on this undergraduate degree, lessLIE began to study Coast Salish art. He has been studying Coast Salish art since 1995. lessLIE was greatly inspired and encouraged by his cousin Joe Wilson. Later other renowned Coast Salish arts such as Manual Salazar, Maynard Johnny Jr., Shaun Peterson, Luke Marston and John Marston influenced his artistic endeavours. However, his primary inspiration from a very young age has been Coast Salish artist Susan A. Point (to whom he is distantly related to), Robert Davidson and Lawrence Paul Yuxweluptun. Currently, lessLIE is a graduate student at the University of Victoria, working on a Master of Arts degree in interdisciplinary studies with a focus on Coast Salish art. His thesis is a critique of the literature and lack of literature on Coast Salish art. As a component of this graduate degree, lessLIE has also worked at Thunderbird Park Carving Studio in Victoria. lessLIE is artistically bound to Coast Salish art traditions and mythology and his artistic style is true to form and design. His artwork can be found locally and internationally where it is being very well received by new and seasoned collectors. EXHIBTIONS:2011 “Coast Salish Masterworks”, Coastal Peoples Gallery
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Serigraph, Edition of 95
The Beaver appears in Northwest mythology and is a family crest in many regions throughout the Northwest Coast. According to legend, the first Beaver was a woman, whose husband frequently went on long hunting and fishing trips. In his absence, his lonely wife took solace swimming, enlarging her pond with a dam and building her own water dwelling. Eventually, she transformed into a Beaver and their children were Beaver People, founding the Beaver lineage.
In mythology, they are often associated with the powerful undersea supernatural beings and the magic Giant Beaver can cause natural disaster with one slap of its wide, strong tail. Characterisically, the Beaver is known to keep to himself and cares little for the activities of the humans, except when they are directly affected. Thus, they often give wise advice so it is important to listen when they do decide to speak.
Serigraph, Edition of 100
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul’qumi’num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul’qumi’num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul’qumi’num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”
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Serigraph, Edition of 100
“As a contemporary Northwest Coast artist, the de-contextualization of Northwest Coast art is of great interest to me. By some scholars and Northwest Coast traditionalists, Northwest Coast ceremonial art has generally been perceived as de-contextualized when taken away from its ceremonial context. When the words and songs and dances are taken away from Northwest Coast art, it is perceived by some as being robbed of its meaning; hence the title “Con Text.” As a contemporary Coast Salish artist, one of the undertakings of my work is to create a new context for Coast Salish art through the utilization of text.”