Availability: Only 1 available
Glass, etched and sandblasted
Only 1 available
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- Additional Information
- Artist Bio
Glass, etched and sandblasted
|Dimensions||18 x 9 x 6"|
|Nation||Nuu-chah-nulth (Tla-o-qui-aht First Nation)|
Joe David was born in the small Clayoquot village of Opitsat on the west coast of Vancouver Island, considered the territory of the Nuu-chah-nulth people. Although much of his childhood was spent in Seattle, he maintained a positive connection with his cultural heritage through his late father, Hyacinth David.
In the late 1960s, after attending art school and working as a commercial artist, David turned his attention to First Nation’s art. Following this personal decision, he met Duane Pasco, a recognized student and teacher of Northwest Coast art, and Bill Holm, the well-known Northwest Coast scholar. David began attending Holm’s classes at the University of Washington, and between 1971 and 1973 was apprenticed to Pasco. Both Pasco and Holm stimulated David to explore the style of a number of Northwest Coast traditions.
This varied background of experience has allowed David to independently, and in concert with his cousin, Ron Hamilton, rediscover and redefine not only his own Nuu-chah-nulth tradition of sculpture and design, but to also understand other variations in form distinct to other regions along British Columbia’s coastline.
Today, Joe is not only an accredited master carver, but he has been in pursuit of lecturing within North America and abroad. His artwork can be found in many private and public collections worldwide.
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Glass, etched and sandblasted, Edition of 45
Natural Maple wood or Stainless steel base
Various heights are available beginning at 3+ feet
The interplay between tradition and innovation is the premise for this contemporary totem pole. While cedar wood predominates, noted Haida artist, Geoff Greene has applied his foresight in designing traditional Haida motifs in the contemporary medium of glass. It makes a strong visual statement with its structured Haida form line, yet the translucent nature of the glass softens the composition, clearly defining the progression of Haida art. From the top, the Eagle is portrayed perched, with the Raven and Moon following. The Eagle signifies peace and friendship, while the Raven is the folk hero who created the Moon, stars and the universe. The Bear, at the base of the totem, is a close relative to mankind known to share both human and animal traits.
Yellow Cedar wood, Red Cedar wood, Glass, Etched, Sandblasted, LED Illumination, Acrylic paint
“This piece is a representation of the Moon which is [an] ancestral part of our mythology. Moon is said to have been the great leader who changed great things in his time among our people. Being half human and half sky being, he was part of the people. This depiction in particular, shows the Salmon numbered in five, which also denotes the number used in defining Puyallup stories as these are shared through the Puget Sound.” – Shaun Peterson
The artist has mixed conventional Northwest Coast materials with modern media to create this moon panel, Keeper of the Tide.
The central figure represents the face of the moon. In Northwest Coast culture, the Moon is regarded as a symbol of protection and guardianship. The Moon is often associated with transformation.
Using sandblasted glass, Shaun has incorporated swimming salmon circling the Moon’s face. Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice, and perseverance. Shortages of salmon are traditioally attributed to human disrespect and refusal to listen to and live by the wisdom of elders.