Supernatural Beings II
Availability: Only 1 available
Giclee, Edition of 195
2007
Unframed
(For Inquiries on Custom Framing, please contact the gallery)
CA$345.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Giclee, Edition of 195
2007
Unframed
(For Inquiries on Custom Framing, please contact the gallery)
Colour | Black, Blue, Grey, Yellow |
---|---|
Shape | Horizontal |
Symbol | Killerwhale, Thunderbird |
Dimensions | 18 x 24" (45.72 x 60.96cm) |
Product Number | I-84620 |
LOC | CP - Print Drawer A - PD8 - |
Artist | April White |
---|---|
Nation | Haida Nation |
Description | Haida Nation April White was born on Haida Gwaii, of the Yahgu’jaanaas Raven Clan. Through her father, she is a direct descendant of the renowned Stastas Eagle Chief and Haida Artist, Charles Edenshaw. April has dozens of relatives living in these islands, all practicing indigenous art–painting, sculpting, totem poles, carving masks using cedar bark and spruce root in weaving, jewelry making, steaming bentwood boxes and creating art out of Argillite – these include her brother Darrel White, and her cousins Christian White, Derek White, Jim Hart and Gwaai Edenshaw. She is also a relative of the late Bill Reid. April White received her Bachelor of Science degree in geology from the University of British Columbia. She has worked as a geologist in remote areas of the Canadian West, an experience which has been of assistance in developing the visual faculty essential to creating her works of art. It wasn’t until the mid-eighties that April decided to completely devote herself to her painting. Entirely self-taught, April’s natural inclination stems from her Haida heritage, where being an artist is an honoured profession.
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Other works by this artist
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Iinang Xaadee – Iihlangaa (Young Man) II [Framed]
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“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Killer Whale on SGang Gwaay I
April White
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Killer Whale on SGang Gwaay II
April White
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Iinang Xaadee – Jaadaa (Young Woman) II [Framed]
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“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White