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Red Cedar Wood, Acrylic paint
Only 1 available
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- Artist Bio
Red Cedar Wood, Acrylic paint
|Dimensions||15.25 x 8 x 6.5"|
|Artist||Tim Paul RCA|
Tim Paul was born in 1950 in the isolated village of Esperanza Inlet, north of Tofino on the West Coast of Vancouver Island. He began carving in 1975 under the direction of Ben Andrews and later with John Livingston at the Arts of the Raven studio in Victoria, BC. He accepted the position of Assistant Carver to Richard Hunt at the Thunderbird Park at the Royal British Columbia Museum in 1977 and seven years later he became the first carver from outside of the Hunt family to hold the position of senior carver. He held this position until 1992 when he left to oversee a native education program for Vancouver Island.
During his time with the museum he accepted and initiated many prestigious totem pole commissions including the Great Hall of the Canadian Museum of Civilization in Hull, Quebec and in Auckland, New Zealand as a presentation to commemorate the 1990 Commonwealth Games. In addition to these successes, Tim Paul also worked as the Chief Carver on projects for Stanley Park, Vancouver, BC, and the Yorkshire Sculpture Park in England.
Tim has been asked to make ceremonial pieces and cultural commissions through out his career. He has also honoured traditional guidelines for making pieces that would represent the Nuu-chah-nulth people around the world.
2010 British Columbia Creative Achievement Award for First Nations’ Art
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Price upon request
This piece opens to reveal an inner box with relief engraving that echos the outer lid.
Traditionally, boxes were considered prized possessions and customarily used to store wealth or special ceremonial objects such as masks, rattles, clothing and adornments. People often gave names to these beautiful ornate boxes, told stories about their histories and treated them as family heirlooms. However, non-decorated boxes acted as instruments of life – from storing less precious articles, to food and later used for mortuary purposes. In Haida mythology, a stack of boxes contained the essence from which Raven created the world.
Eagle, Dogfish, Beaver and Frog Box retains its traditional elements through conception and imagery. Derek exhibits his mastery in his precision of line and perfect symmetry of the formline of this treasure. The gently angled lid with Abalone inlay, as well as the engraved and incised elements on the box is suggestive of the prototypic bent cornered wooden boxes and chests.
The box contains not only depictions of four important crest animals, but connects to past traditions in which a box held more than the material object, it also linked people to their heritage, lineage and each other.
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Bronze Cast, Marble base
Edition of 12
9.5 x 8 x 5″
Volcano Woman is perhaps one of the oldest and most revered legends which tells of a mortal”s fate if he/she does not treat sacred objects or creatures with respect. In defense of her beloved wild creatures, she controls the powerful volcanoes. Stories tell of how the killing of a frog leads the Volcano woman to destroy an entire village.
Volcano Woman is a supernatural, powerful person in First Nations mythology. She had a son who, like his mother, had supernatural abilities. He often liked to change from his Human form to that of a Frog (Wukus).
Years ago, a Prince and his two friends went fishing. Hungry, they lay their food on leaves. The Wukus (Frog), being mischievous, jumped on their food. Twice the young Prince threw the Frog into the shrubs but on the third time they threw the frog into the fire and killed the innocent creature.
A few nights later, a woman could be heard crying and wailing. “Who has done this, come forward and I will spare your village.” This warning went unheeded for some time until finally a Woman of the Elders went to the village outskirts to see her. Volcano Woman instructed the Woman of the Elders to send forth the three young men and she would spare the village from volcanic destruction. The Woman of the Elders begging for the sake of the Village told of Volcano Woman”s ultimatum – but this warning went unheeded.
On the final night of the village’s existence, Volcano Woman was heard saying, “I asked for those responsible to take heed and now you will know my vengeance.” The Village shook, a Volcano erupted, destroying the village and all who lived there.