Availability: Only 1 available
Red Cedar wood, Acrylic paint
Only 1 available
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- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
|Dimensions||18.5 x 11.75 x 12"|
Joshua was born in Victoria, BC in January 1982. His cultural origin is Cree/Metis from the Canadian Prairies but he has lived on Vancouver Island for more than half his life. Joshua graduated from Victoria High School where he was first introduced to Native art through a program offered at the school.
From grades 9 through 12 Joshua was taught by Victor Newman, a Kwakwaka'wakw artist from Fort Rupert, BC. During this time Joshua also worked with his uncle, Greg Prescott, who is a Northwest Coast style wood carver. Joshua was awarded the graduation prize and highest honors as the outstanding native art student for the who district in the year 2000. Newman also introduced Joshua to John Livingston with the hope Joshua would apprentice with him. He worked under the tutelage and as an assistant to John Livingston from 1999 to 2006. During this time Joshua worked for or with such artists as Calvin Hunt, Eugene Hunt, Peter Grant, Art Thompson and Rande Cook.
Joshua excels in detailed carving and painting and he prides himself on clean craftsmanship. He produces masks, drums, canoe paddles, bentwood boxes and wall panels in Red Cedar, Yellow Cedar, Yew, Alder and Maple.
Joshua is currently living in Port Alberni, BC along with his wife and child. Joshua's wife Eva, has started a non-profit organization called the Nuu Chah Nulth Cultural Society. The goal of the non-profit society is to keep the Nuu Chah Nulth language alive and they are learning the central dialect from Eva's grandmother, Katie Fraser of the Tia-O-Qui-Aht First Nation. Katie has her Masters in education and an undergraduate degree in linguistics. Joshua feels it is very important to teach the youth about their culture and that language, land, art, culture and people are all one.
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Yellow Cedar wood
A ceremonial dish, also known as a feast dish or potlatch dish, was a treasured heirloom which families brought out for great feasts as a gesture of hospitality and welcoming. Presently, many ceremonial dishes are carved in miniature form, meant for collectors who appreciate the historic and symbolic value behind each artwork. This aspect of the art is considered to be a contemporary turn that northwest coast native art has taken throughout the years.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson. Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.
Ivory, Abalone, Sterling silver, engraved
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Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.