You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
Burton Amos was born on June 10th 1963 in Kitimat, British Columbia, a port town off the northern coast. Burton is a member of the Haisla/Tsimshian nation. His traditional name is Ghe-Yal-Aghum, which in Kwakwaka'wakw translates to “Face that comes from the Beginning”. Burton currently resides in Vancouver, where he works in the film industry, on documentaries and short independent films, in addition to working as an artist and traditional carver.
Although being an artist and poet for most of his life, it wasn't until he met Tsimshian/Cree artist Philip Gray in 2003, that he became serious about native art. In his visual work, Burton specializes in bentwood box-style design in his prints, regalia, masks, and small totems. He works in many media as a carver and printmaker and his work can found in private collections internationally. Along with his visual works, he also has a book of poetry that has taken 14 years to complete and will be published upon the completion of the acccompanying artworks.
Burton Amos strives to preserve native languages and traditions through his many art forms, which each portray the sacredness of Haisla/Tsimshian culture and heritage in their own way. He plans to carry on the tradition of passing down his knowledge to his son and will continue to strive to give back to his community.
2009 – Haida Masterworks, Coastal Peoples Gallery, Vancouver BC
2007- Coastal Legacy, Coastal Peopels Gallery, Vancouver BC
2006 – Transcendence: a decade in perspective, Coastal Peoples Gallery, Vancouver BC
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul'qumi'num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul'qumi'num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul'qumi'num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”