Tsimshian Bentwood Box
Availability: Only 1 available
Red Cedar wood, Acrylic paint
1995
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
CA$4,600.00
Only 1 available
Reserve this artwork- The Gallery can only hold items for 24-48 hours after which time they will be automatically released – please ask us for more details.
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or [email protected] and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
Layaway
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Description
- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
1995
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
Dimensions | 11 x 10 x 10" (27.94 x 25.4 x 25.4cm) |
---|---|
Product Number | I-89727 |
Artist | Corey Moraes |
---|---|
Nation | Tsimshian Nation |
Description | Tsimshian Nation Corey Moraes was born in Seattle, Washington on April 14, 1970. He is a member of the Tsimshian Nation, Lax Kw’aLaams Band from Port Simpson, British Columbia, Canada. Currently, he resides in Vancouver. Corey works in several media including wood, silver, gold and original paintings. He has apprenticed under Kwagiulth artist, Dwayne Simeon, who taught him the skills of goldsmithing. In 1997 Corey designed and painted a thirty-one foot replica of a traditional canoe. The canoe was part of “Vision Quest”, a one thousand mile journey to raise awareness and funding for a recovery centre for addictions. It was organized by Tsimshian artist, Roy Henry Vickers and the R.C.M.P. It was a great honor for him to be a part of “Vision Quest” and to paddle the journey in the canoe he painted. Presently, Corey is expressing himself in silver and gold jewelry, with an emphasis on design and depth. Art has always been prevalent in Corey’s life from a very young age. Being a mainly self-taught artist, Corey began drawing from his appreciation of Northwest Coast Native art. Corey’s inspiration to make Northwest Coast Native art comes from such artists as Charles Edenshaw, Bill Reid and Robert Davidson. For the future he intends to learn totem pole and canoe carving in his effort to bring the art to his community and his people. |
you may also like
-
Eagle’s Play Glass Rattle
Susan Point RCA
Price upon requestHand blown glass, Red Cedar wood base
This beautiful contemporary rattle is made with hand-blown glass, an example of Susan Point’s balance between traditional and contemporary styles. It demonstrates her ability to diversify, yet reveals her respect for tradition and ancient mythology. Based on an ancient implement, a spindle whorl was used for spinning wool into yarn for the process of creating fine woolen blankets.
-
‘Goat Horn’ Pewter Serving Set
Artist Unknown
CA$220.00Cast from fine lead free Pewter (made in Canada)
Food safe and hand wash
Available in a Matte finish only
Each Utensil: 8 x 2 x 2″
Custom Maple Wood box is sold separately – please inquire for pricing
This beautifully designed serving set features classic totemic designs with Eagle, Frog and Raven Stealing the Sun. The traditional ‘Goat Horn’ styled fork and ladle make an ideal wedding or any occasion gift. Pewter will not tarnish like silver over time. Hand wash only with mild soap.
-
Eagle Feast Dish
Garner Moody
CA$9,200.00Yellow Cedar wood
A ceremonial dish, also known as a feast dish or potlatch dish, was a treasured heirloom which families brought out for great feasts as a gesture of hospitality and welcoming. Presently, many ceremonial dishes are carved in miniature form, meant for collectors who appreciate the historic and symbolic value behind each artwork. This aspect of the art is considered to be a contemporary turn that northwest coast native art has taken throughout the years.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson. Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.
-
People of the Eagle Frontlet
Barry Scow
CA$2,450.00Yellow Cedar wood, Acrylic paint
Includes stand
“People of the Eagle” Frontlet, masterfully carved and painted by Kwakwaka’wakw artist Barry Scow, represents the Chief and his people of the Eagle clan. True to form of Barry’s fine carving, this frontlet portrays the Eagle with Sun, and commemorates Barry’s link to his Grandfather, who was a Chief, and to his heritage.
A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
Other works by this artist
-
Reawakening Mask
Corey Moraes
CA$3,400.00Red Cedar wood, Horsehair, Acrylic Paint
10″ x 7.5″ x 7.5″ (Mask only)
45″ x 7.5 x 7.5″ (Including hair)