Ukrainian Hummingbird Paddle
Availability: Only 1 available
Yellow Cedar wood, Acrylic paint
“For this [paddle], I wanted to do something very unique and original. I decided to combine both my ethnic origins, using a traditional Haida-style design for the Hummingbird, with intertwining flowers on the black background. I borrowed this idea from Ukrainian Easter eggs, which have black backgrounds and brightly coloured designs or flowers.” – Trace Yeomans
61 x 5.75 x 1.5" (154.94 x 14.61 x 3.81cm)
CA$7,000.00
Only 1 available
Reserve this artwork- Description
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Yellow Cedar wood, Acrylic paint
“For this [paddle], I wanted to do something very unique and original. I decided to combine both my ethnic origins, using a traditional Haida-style design for the Hummingbird, with intertwining flowers on the black background. I borrowed this idea from Ukrainian Easter eggs, which have black backgrounds and brightly coloured designs or flowers.” – Trace Yeomans
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‘Goat Horn’ Pewter Serving Set
Artist Unknown
CA$220.00Cast from fine lead free Pewter (made in Canada)
Food safe and hand wash
Available in a Matte finish only
Each Utensil: 8 x 2 x 2″
Custom Maple Wood box is sold separately – please inquire for pricing
This beautifully designed serving set features classic totemic designs with Eagle, Frog and Raven Stealing the Sun. The traditional ‘Goat Horn’ styled fork and ladle make an ideal wedding or any occasion gift. Pewter will not tarnish like silver over time. Hand wash only with mild soap.
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People of the Eagle Frontlet
Barry Scow
CA$2,450.00Yellow Cedar wood, Acrylic paint
Includes stand
“People of the Eagle” Frontlet, masterfully carved and painted by Kwakwaka’wakw artist Barry Scow, represents the Chief and his people of the Eagle clan. True to form of Barry’s fine carving, this frontlet portrays the Eagle with Sun, and commemorates Barry’s link to his Grandfather, who was a Chief, and to his heritage.
A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
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Eagle Frontlet
Charles Peter Heit
CA$8,200.00Birch wood, Abalone, Ivory
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
A frontlet is a forehead mask attached to a woven headpiece. It is worn by chiefs and high-ranking individuals as a display of crests and status. Frontlets are often decorated with materials that are symbols of wealth and power: abalone shell, operculum shell, sea lion whiskers, feathers and/or ermine pelts.
The intelligent Eagle symbolizes status, power, peace and friendship.
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Empty Nest
Trace Yeomans
CA$6,000.00Oil paint on Canvas
2022
Unframed
“I started painting this piece a few years ago. The idea came to me while I was sitting and thinking about how quiet it was the day after my youngest child left home. I felt a bit lost.
It was the first of many paintings I did that year. There are many hours of intricate twig detail but at the time, I was relieved to focus my attention on painting rather than being sad and missing my kids. This was one of the most time-consuming oil paintings I have ever attempted and took the longest to complete. Through it, I felt I regained my freedom to be creative and found myself in my art again.
The nest sits empty with complex twigs intertwining with each other. They represent all that I am as a mother intertwined with hope, worry, pride, sadness, and happiness for my kids. I’ve added a ghostly white Haida Raven overlooking the empty nest to represent myself.” – Trace Yeomans
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Eagles with Salmon Toilet Paper Dispenser
Trace Yeomans
CA$7,000.00Ultrasuede, Douglas Fir wood, Yellow Cedar wood, Acrylic paint
25.5 x 6 x 11.25″ (rolled, including stand)
144 x 4″ (unfurled, without stand)
“This was a piece that came to mind during the ‘toilet paper panic’ during the early stages of this pandemic. I thought it was peculiar that people were lined up and panicked about buying toilet paper, sanitizer, and masks rather than food and water. I wanted to create a modern looking, free standing art piece that – like the masks I created – would be emblematic of the times we are in, but would also hold the traditional aspects of my culture…I felt that this piece would be something that the whole world could relate to and understand, even if they know nothing about Haida art.” – Trace Yeomans
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Raven Paddle
Trace Yeomans
CA$6,000.00Yellow Cedar wood, Acrylic paint
“I had never painted a paddle before this one. I wanted to try something that was bold, modern, and eye-catching, but still traditional in the Haida design sense, so I chose black and red that together reads a bit electric.” – Trace Yeomans
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Raven’s Tail Chilkat Miniature Apron / Mask
Trace Yeomans
CA$2,500.00Ultrasuede, String
7 x 8.5″ (mask only)
14 x 14 x 4.25 (with display case)
“I wanted to create a piece that was emblematic of this time. Something [that was] meaningful to me and that would represent my culture. I wanted to keep the traditional aspect intact, so I made the mask resemble a miniature dance apron. Although these masks are strictly decorative, I have added ties so they can be put on the face for photos to represent that they are masks.” – Trace Yeomans