Watchman, Eagle, & Bear Totem Pole
Availability: Only 1 available
by Garner Moody
Red Cedar wood, Acrylic paint
For inquiries on totem pole commissions, please click here.
108 x 22 x 16" (274.32 x 55.88 x 40.64cm)
Price available on request
- Description
- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
For inquiries on totem pole commissions, please click here.
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Seagles
lessLIE
CA$275.00Serigraph, Edition of 50
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
in this design
you see eaglesin this design
you see seagulls.in this design, I am attempting to mediate between literacy and Coast Salish visual art. Hence the punning of the title “sEAGLES,” which is a way of making a visual pun, and making literacy visual. At the top and bottom of this design, there is the suggestion of the letter “s,” which simultanously forms the eagle wings while defining the seagull heads. So visual punning is created through both the painted design and the title of this piece.
-lessLIE
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Salmon Sculpture
Chester (Chaz) Patrick
CA$980.00Exclusive to Coastal Peoples Fine Arts Gallery
Glass; etched and sandblasted (Glass thickness 12mm)
Maple wood base
Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice and perseverance.
Shortages of Salmon are traditionally attributed to human disrespect and refusal to listen to and live by the wisdom of elders. The Pacific Northwest Coast peoples believed that Salmon were actually people with eternal life who lived in a large house far under the ocean. In spring, they put on their Salmon disguises and offered themselves to humans as food.
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Dogfish Berry Basket
Merle Andersen
CA$10,800.00Cedar Bark, Acrylic paint
Painted by Alfred Adams
Merle is a Haida Weaver and Regalia artist from Haida Gwaai, BC, Canada. San’laa gudgaang is her Haida name and Yaguu’janaas is the name of her affiliated clan. She uses Cedar Bark, Spruce Root, and Sewn Regalia as her mediums. Merle’s grandmother, Isabella Edenshaw, and mother, Florence Davidson, were both weavers, while her grandfather, Charles Edenshaw, was a master carver, and her father, Robert Davidson Sr., was a carver in his own right. Merle received her traditional training under her mother and two of her sisters, as well as under Haida weavers April and Holly Churchill.
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Overexposure (TP) [Framed]
Susan Point RCA
CA$2,060.00Serigraph, Colour Trial Proof, Edition of II
1998
Framed
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Eagles Totem Pole
Garner Moody
Price upon requestRed Cedar wood, Acrylic paint
For inquiries on totem pole commissions, please click here.
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Watchman, Eagles, Frog & Human Totem Pole
Garner Moody
Price upon requestRed Cedar wood, Acrylic paint
For inquiries on totem pole commissions, please click here.
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Eagle Feast Dish
Garner Moody
CA$9,200.00Yellow Cedar wood
A ceremonial dish, also known as a feast dish or potlatch dish, was a treasured heirloom which families brought out for great feasts as a gesture of hospitality and welcoming. Presently, many ceremonial dishes are carved in miniature form, meant for collectors who appreciate the historic and symbolic value behind each artwork. This aspect of the art is considered to be a contemporary turn that northwest coast native art has taken throughout the years.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson. Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.