Watchmen & Bear Totem Pole
Availability: Only 1 available
Red Cedar wood
Price available on request
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or inquiry@coastalpeoples.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
Layaway
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Description
- Additional Information
- Artist Bio
Red Cedar wood
Dimensions | 110 x 24 x 15" (279.4 x 60.96 x 38.1cm) |
---|---|
Product Number | I-77152 |
![]() |
|
---|---|
Artist | Francis Horne Sr. |
Nation | Coast Salish Nation |
Description | Coast Salish Nation Francis Horne was born October 18, 1952, in Mount Vernon, WA, and raised in Duncan, British Columbia, Canada. He began carving in 1973 and is largely self-taught. He does reveal that Simon Charlie, a prominent Chief and accomplished artist, greatly influenced his pursuit of creating large-scale art. Subsequently, Francis began to explore and educate himself on the style of the northern nations. This interest led him to pursue large-scale public art reflecting the traditional northern images in their traditional format. Occasionally, Francis focuses on depicting images in keeping with his Coast Salish heritage. Francis has produced numerous major totem poles for public, corporate, and private international commissions. His work is featured in several locations across British Columbia, including the Vancouver Art Gallery, Stanley Park, Chilliwack General Hospital, and Vancouver Native Housing. The city of Duncan, known as the “City of Totem Poles,” has ten of his poles, including a gateway entrance. International commissions include the Canadian Embassy in Bogota, Columbia, Singapore, Africa, England, Germany, Sweden, and the USA. His smaller scale works and masks are limited in number, as his reputation for large-scale works keeps him occupied. Whether a mask or a totem pole, his elaborate detail and precise incisions reflect both his expertise and his dedication to maintaining a high standard of quality and collectibility of his artwork. He possesses a unique and thought-provoking style, which is represented in masks of distinction, traditional totem poles, and metalwork. He prefers to work in red or yellow cedar, and occasionally works with alder wood. In 2007, Francis made the decision to share his passion by becoming an instructor at the University of the Fraser Valley (UFV), where he teaches Indigenous Carving certificate courses to young carvers. Twelve years later, on June 5th, 2019, the University of Fraser Valley awarded him with an honorary Doctorate of Letters (Litt. D.) for his contributions to the study and understanding of indigenous art on the Pacific Northwest Coast. This is the highest reward that one can receive in a number of fields, including the Arts, Humanities, and Social Sciences. In addition to his work at UFV, Francis has spent time mentoring clients in recovery from corrections at Vision Quest Recovery Society, as well as advising and advocating for First Nations patients at Fraser Health Authority. |
you may also like
-
Pro Creation
lessLIE
CA$250.00Serigraph, Edition of 100
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”
— lessLIE
-
Eagle Amulet
Jesse Brillon
Price upon request20K Gold, Abalone; Repousse, Chased
2.5 x 2 x 1″ (including bale)
Jesse Brillon’s Eagle Amulet is cast in 20K gold and ornately inlayed with exquisite blue, green and purple hued abalone shells. This amulet illuminates ancient mythology and tradition. This contemporized work provides a visual reference to one of the most notable beings in First Nations art and culture: the Eagle.
Steeped in tradition, this masterfully carved work provides depth, grace and stature beyond the presented image. Jesse Brillon’s Eagle Pendant pays homage to the tradition of nature and the interconnection between all living creatures.
-
Dogfish Berry Basket
Merle Andersen
CA$10,800.00Cedar Bark, Acrylic paint
Painted by Alfred Adams
Merle is a Haida Weaver and Regalia artist from Haida Gwaai, BC, Canada. San’laa gudgaang is her Haida name and Yaguu’janaas is the name of her affiliated clan. She uses Cedar Bark, Spruce Root, and Sewn Regalia as her mediums. Merle’s grandmother, Isabella Edenshaw, and mother, Florence Davidson, were both weavers, while her grandfather, Charles Edenshaw, was a master carver, and her father, Robert Davidson Sr., was a carver in his own right. Merle received her traditional training under her mother and two of her sisters, as well as under Haida weavers April and Holly Churchill.