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Edition of 200
Only 1 available
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- Additional Information
- Artist Bio
Edition of 200
|Dimensions||27.5 x 22.75 "|
|LOC||CP - Gastown - PD5 -|
|Nation||Coast Salish Nation|
Joe Wilson was born in 1967 and raised at Koksilah near Duncan on Vancouver Island, British Columbia, Canada. Joe’s keen interest in Native Art began at the tender age of 12 whilst watching his stepfather, Johnny Sampson, designing and carving beautiful works. However, fierce competition with his younger brother, Rick, spurred his need to take on his artistry seriously- “that’s when I frustratingly started really applying myself. Even back then I had it in my heart to be one of the best out there in our field [Coast Salish Territory] and I did it.”
At the young age of 17, Joe began producing and marketing his various carvings within the local region. He has apprenticed under master carvers such as the late Simon Charlie and Coast Salish artist Charles Elliott. Furthermore, he has studied under Nuu-Chah-nulth master carver Tim Paul at the Royal British Columbia Museum. Joe has studied Coast Salish Art extensively and has emerged as one of the most prolific Coast Salish artists today. His influences include acclaimed artists Simon Charlie and Tim Paul.
A soft-spoken man, his work speaks of confidence and strength and he has developed a unique and original style. His colours are bold and unconventional, yet extremely appealing and rich.
He has always felt that the Coast Salish art form continues in its tradition to be inspiring within form and its unique flair. Joe’s artwork is not only traditionally authentic, it’s also an artistic communication link between cultures.
Joe Wilson will continue to push the boundaries of Coast Salish Art while creating works that distinguish and preserve his culture for current and future generations. His talent will continue to bring him the recognition that is reserved for outstanding artists.
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Serigraph, Edition of 100
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul'qumi'num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul'qumi'num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul'qumi'num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”
Other works by this artist
Serigraph, Edition of 200
Also available in Blue and Black
Joe Wilson has created this limited-edition print series illustrating the traditional Coast Salish whorl in which both the male and female Killerwhale are represented in balance and harmony with one another.
The ‘Journey of Hope’ was designed specifically for the survivors of the tsunami in Japan in 2011 to pay tribute to their survival instincts as well as their future hopes and dreams.
The Killerwhale is an important crest symbol, associated with power, strength, dignity and communication.
The Killerwhale is thought to be the reincarnation of great chiefs so they are the majestic protectors of mankind. Many believed that those lost at sea were carried away by the Orca to their villages deep within the ocean and they would be guided to a new life and a new beginning.
Killerwhale Clans live in Killerwhale Villages deep within the ocean; when at home they remove their skins and live as large humans. Mating once for life and thought to be the reincarnation of great chiefs, these majestic animals are the protectors of mankind. While known to capsize canoes and carry the inhabitants to their Killerwhale Village, they are also reputed to act as guides to humans caught within storms.