The totem pole is a distinctive and widely admired form of traditional Northwest Coast Native art.  Once nearly lost, this art form is alive and thriving today.  In this beautifully photographed book, Vickie Jensen collaborates with Norman Tait, a renowned Nisga’a artist, and his crew of young carvers to document the process of transforming a log into a totem pole.

Throughout the carving process, Tait requires the apprentices to make their own tools, design their regalia and practice traditional drumming, songs and dances.  He teaches the young carvers that carving a pole requires more than time and labour, more than a firm understanding of the tools and techniques and more than artistic and emotional commitment.  The process involves respecting and following tradition and becoming involved in their cultural background.

Published in 2003

Softcover

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George MacDonald, Director of the Canadian Museum of Civilization in Ottawa, combines ethnohistory, archaeology and stunning photodocumentation to explain the physical and cultural structure of a Haida village.  He shows how architecture and totem poles are an integral part of the social and religious aspects of Haida culture.

Published in 1994 by Douglas & MacIntyre

Paperback

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A collection of 36 Tsimshian masterpieces from northern British Columbia, collected over 140 years ago.

Edited by Donald Ellis, with essays by Steven Clay Brown, Bill Holm, Alan L. Hoover, Sarah Milroy, and William White.

Tsimshian Treasures is an extraordinary collection of masterpieces from the Dundas collection that were acquired by Reverend Robert J. Dundas in October 1963 from Natives at Old Metlakatla. The images and essays in this book honour a remarkable moment in Canadian cultural history and the triumphant return of these masterworks of Northwest Coast art after more than a century in exile.

Published in 2007

Hardcover

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Working with a soft black stone known as Argillite, Haida sculptors over a period of two centuries have created a stunning body of work that is exceptional in its craftsmanship and beauty.

Haida argillite sculpture constitutes one of the longest creative traditions in Canadian art. What is not always recognized is that this art form also serves as a rich portrayal of Haida history. Following the initial Euro-American contact, the Haida experienced devastating losses of population and the virtual disappearance of their culture. Argillite sculpture became almost the only means for the Haida to preserve their sense of who they were as a people. Their art became postcards to the universe explaining a heritage threatened with extinction.

Now, a renaissance of Northwest Coast art is taking place. New artists, combining outstanding skill with an awareness of artistic developments on a global scale, are creating work of impressive quality and sophistication. Through their art, stories and fundamentals of an ancient Haida culture gain meaning and vitality for a contemporary audience.

Published in 2008

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