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Dragonfly
Richard Shorty
CA$750.00Acrylic paint on Acid-free paper
2023
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Symphony of the Sea
Kelly Cannell
RESERVEDSerigraph, Edition of 68
2023
Unframed
(For inquiries on custom framing, please contact the gallery)
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Eulachon Canoe Mountain [Framed]
Lyle Wilson
CA$715.00Intaglio Print on acid-free paper
Edition of 50
2016
13 x 11.5″ (Paper size)
7 x 5.25″ (Image size)
16.5 x 15 x 1.25″ (framed size)
“My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.
The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!
The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.
The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.
A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.”
-Lyle Wilson, 2016
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Daybreak – State II
Susan Point RCA
CA$700.00Serigraph, Limited Edition of 52
Unframed
2024
(For inquiries on custom framing, please contact the gallery)
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Sundance
Susan Point RCA
CA$700.00Serigraph, Limited Edition of 72
Unframed
2024
(For inquiries on custom framing, please contact the gallery)
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Salish Inlet State II – Red
Susan Point RCA
CA$700.00Serigraph, State I, Edition of 22
2020
Unframed
(For inquiries on custom framing, please contact the gallery)
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Reflect
Kelly Cannell
CA$680.00Serigraph, Edition of 78
2023
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Whorl of Transformation [Framed]
Margaret August
CA$650.00Serigraph, Edition 9/100
Framed
“This design depicts salmon, with an asymmetrical moon face, inspired by a spindle whorl artifact.
I say that salmon, like all animal medicine, has a spiritual meaning and some of the main themes you can find with salmon medicine is abundance, fertility, prosperity and renewal.
[It] is inspired by the use of Coast Salish spindle whorls, which have been known to be predominantly used by women, and their ability to produce beautiful textiles which had social and spiritual significance. The disc like shape would be designed with unique designs for which was to give the wool spinner a trance like experience for healing and transformation. Today, weaving continues to be a vibrant expression of cultural identity. Salish weavers consist of self-identified women, two-spirit people, and trans people.” – Margaret August 2024
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Ancestral Memories
Susan Point RCA
CA$650.00Serigraph, Edition of 90
2023
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Raven & Sun
Mark Lange
CA$650.00Acrylic on Acid-free paper
Unframed
2022
(For inquiries on Custom Framing, please contact the gallery)
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Good Tidings [Framed]
Margaret August
CA$605.00Serigraph, Edition 15/100
Framed
“’Good tidings’ depicts a contemporary otter design inspired by traditional Coast Salish house posts. Originally a canvas painting, I felt compelled to create a contemporary piece in the work after reviewing photographs of house post artifacts. House posts typically show mythical creatures associated with family history, notable ancestors, events which displayed ancestors’ spirit powers, or magical privileges of the family. They were also placed into the large winter house orating the long history, wealth and high status of the family. Otters often appeared on Salish house posts, they were considered to bring good messages, and were considered to be trickster figures. I personally set the intention to persevere in the continuum of Coast Salish traditions.” – Margaret August 2024
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Iinang Xaadee – Iihlangaa (Young Man) II [Framed]
April White
CA$600.00Serigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Kay (Sea Lion) II [Framed]
April White
CA$600.00Serigraph, Edition of 145
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Great Blue Heron
Kelly Cannell
CA$600.00Serigraph, Edition of 82
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Eagle
Ben Houstie
CA$600.00Acrylic paint on Acid-free paper
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Hummingbird
Ben Houstie
CA$600.00Acrylic paint on Acid-free paper
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Frog
Ben Houstie
CA$600.00Acrylic paint on Acid-free paper
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Raven
Ben Houstie
CA$600.00Acrylic paint on Acid-free paper
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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