Graphics
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Two Guud (Eagle)
Erik Prytula
CA$250.00Serigraph, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
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Cultural Connections
Susan Point RCA
CA$900.00Serigraph, Edition of 21
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Coming Together
Susan Point RCA
CA$760.00Serigraph, Edition of 80
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Creekside
Susan Point RCA
CA$850.00Serigraph, Edition of 85
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Life Giver
Maynard Johnny Jr.
CA$1,000.00Serigraph, Edition of 100
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“I called it Life Giver to honour women and, in particular, the women that played an important role in my life; my mom, my daughter, my granddaughter and many more, you know who you are. We have to honour the women for they give us life, carry us in their bodies, and nourish us until they bring us into this world. This isn’t about equality or women being victims, it’s about honouring the strength women have and how they show us compassion and love. We have to start teaching our boys and men to hold respect for our women and teach out girls and women they deserve respect no matter what.” – Maynard Johnny Jr. 2022
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Serpent
Adonis David
CA$450.00Acrylic paint on Acid-free paper
Unframed
2022
(For inquiries on Custom Framing, please contact the gallery)
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Changing Seasons State I (Dawn) (Remarque)
Susan Point RCA
CA$1,120.00Serigraph, Remarque, Edition of VIII
State I of II
2015
(For inquiries on custom framing, please contact the gallery)
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Raven & Sun
Mark Lange
CA$650.00Acrylic on Acid-free paper
Unframed
2022
(For inquiries on Custom Framing, please contact the gallery)
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Sgaana Saahlaan Sdings
Cori Savard
CA$450.00Serigraph, Edition of 125
2022
Unframed
(For inquiries on custom framing, please contact the gallery)
“Sgaana Saahlaan Sdings means Two Finned Killerwhale. The imagery in this print focuses on the two dorsal fins. Attached to the body of the whale, they have no control over their direction or destination. The thin lines around the design represent the spray and the water that rolls off the body of the whale as it emerges from the depths to take a breath. With this new energy, it continues its journey, facing an ever-changing ocean landscape.
The first dorsal fin represents the discomfort and apprehension that comes with the unexpected changes in our lives. It braces itself for the next wave, the next plunge, engaging in a losing battle against the momentum of the whale. The thin lines between the dorsal fins form teeth, creating a mouth which represents a shared experience and a shift in our mindset. The second dorsal fin represents acceptance, resilience, and the positive energy that follows our ability to adapt. Once we recognize our apprehension, we are free to challenge it. To seek the positive within the negative and move forward with renewed energy.” – Cori Savard, 2022
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Genesis Triptych [Framed]
Susan Point RCA
CA$6,900.00From Left to Right:
Genesis – Grey
Serigraph, Variable Edition 23 of 30Genesis – Jade
Serigraph, Variable Edition 17 of 30Genesis – Orange/Brown
Serigraph, Variable Edition 26 of 3031 x 34 x 1.25″ (each)
31 x 102 x 1.25 (entire triptych)Currently on display at the Fairmont Waterfront Hotel
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Spirit of Renewal
Rachel Smith
CA$180.00Serigraph, Edition of 150
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Cleansing
Mark Preston
CA$215.00Serigraph, Edition of 85
2018
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Starry, Starry Night
Mark Preston
CA$300.00Serigraph, Edition of 85
2013
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Salish Spring
Susan Point RCA
CA$850.00Serigraph, Edition of 90
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Occupied [Framed]
Robert Davidson RCA
Price upon requestSerigraph, Edition 12 of 88
2007
Framed
“Occupied was first a doodle for a thank-you card. I also couldn’t pronounce the plural ‘octopi.’ When you look at the map of Haida Gwaii there are red parts to indicate reserve land that we can occupy and it adds up to less than 0.1 percent. We have been corralled onto this tiny piece of land. There was a time when we needed to sign in and sign out to leave the reserve. And we had no rights to natural resources. When it was all taken away from us, 90 percent of the population died and the survivors’ children were kidnapped and taken to residential schools. Then we became wards of the state and we were labelled as lazy. We look at the photographs – fortunately they photographed all the villages before all this devastation – and they are lined with many totem poles. The totem poles were not created by lazy people.” – Robert Davidson
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Capturing Light
Maynard Johnny Jr.
CA$1,000.00Serigraph, Edition of 100
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Great Blue Heron
Kelly Cannell
CA$600.00Serigraph, Edition of 82
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Fisherman’s Delight
Robert Davidson RCA
CA$1,800.00Serigraph, Edition of 81
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“I went fishing with Reg and his friend Tom Wylie last summer. I was really taken because they were charged with excitement. They kept handing me a rod but I was just happy to watch because they were really interesting… When we went to the river to fish we were excited to know that we had replenished the food supply. Reg has constantly replenished the halibut and salmon supply for freezers in the village because he feels the need and so few people own boats.
The focus point in this piece of art is a Spring Salmon depicted with the face of Humanity. Traditionally, the native societies were established around fishing, hunting, and gathering. The most valuable resource was salmon. For thousands of years, salmon was the primary food source for the people on the Canadian Northwest Coast. As a result of overfishing came a time of scarcity. Salmon perished and humanity depended heavily on its return. Salmon is a powerful symbol of regeneration, prosperity, and renewal for the Haida people.
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In the bottom right corner of this painting, Kuugan Jaad (also known as Mouse Woman) comes into sight. She is a character in many Haida legends. Mouse Woman is a supernatural being. She is the mother of Raven according to the mythology. She often appears in stories as a helper or advisor to those who are on a journey or to those who have crossed (or are about to cross) to another dimension (Spirit World or the unknown). She is highly respected as she offers great wisdom to restore order and balance. According to mythology, Mouse Woman can change shapes. She can be a big eyed mouse and change into a tiny human grandmother. However, in art, her appearance is mostly abstract.
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When I’m creating a design, sometimes subconsciously Kuugan Jaad just appears in the art piece. Her form arises automatically during the creative process. It is striking because she is known to lend a helping hand to story characters in our legends.“ ~ Robert Davidson -
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