Collection
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Eagle Paddle
Moy Sutherland
CA$7,000.00Yellow Cedar wood, Operculum shell, Abalone shell, Acrylic paint
Custom paddle stands available upon request – please inquire for details
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Weavers & Wool
Dylan Thomas
CA$200.00Serigraph, Edition of 140
2021
Unframed
(For inquiries in Custom Framing, please contact the gallery)
“This print, titled Weavers and Wool, depicts two Salish Wool Dogs, and is an homage to the role weavers and dog breeders played in shaping Coast Salish culture. The Salish Wool Dog was the only breed of dog in pre-contact North America that was created and maintained through the practice of animal husbandry.
Through selective breeding, the Coast Salish people maintained a large population of small dogs with thick woolly hair that could be sheered and spun into yarn. This meant, unlike their coastal neighbors, the Coast Salish had a steady supply of wool that allowed them to foster a prolific weaving tradition. Female weavers used the wool to create the classic Coast Salish blankets that were worn by Siem (noble ones). The wool was also an important adornment on many ceremonial objects and regalia. Due to the importance of weaving in Salish culture, the spindle whorls became an object of abundance, many of which were carved with classic Coast Salish imagery. Even today, contemporary Salish artist create prints, panels, glass works, stone works, (etc.) all in the form of the spindle whorl.
The practice of breeding wool dogs had been practiced for at least 1700 years according to archeological research. Since the dog’s woolly coat was due to a recessive gene, it had required a tremendous amount of work to keep the wool dogs separated from the semi-wild hunting dogs to keep the bloodline pure. So, when Europeans introduced sheep wool to the Salish, the practice of dog breeding was doomed. Since sheep are large, grass-feeding farm-animals — rather than small, meat-eating pets, they were able to generate more wool for far less labour and resources. Therefore, it became too costly to maintain the wool-dogs bloodline, so they began interbreeding with the hunting dogs and European breeds — then quickly vanished.
Even though the Salish wool dog may be lost forever, it’s legacy lives on in Salish culture: wool still adorns most ceremonial objects, Salish blankets are still worn as regalia, and the spindle whorl has become an icon of Coast Salish art. So with this print, I want to honour the Salish wool dog, Salish dog-breeders, and Salish weavers that helped give Coast Salish culture its unique identity.” – Dylan Thomas
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Hummingbirds Ring
Corrine Hunt
CA$2,300.0018K Yellow Gold, 14K White Gold, Engraved
Cut-Out Design
Width: 1/2″
Size: 7.75 -
Eagle Ring
Corrine Hunt
CA$2,440.0018K Yellow Gold, 14K White Gold, Engraved
Cut-Out Design
Width: 1/2″
Size: 7 -
Eagle Wrap Ring
Corrine Hunt
CA$450.00Sterling Silver, 14K Rose Gold, Engraved
Size: 5.5
Width: 1/2″ -
“Raven Transforming” Triptych [Framed]
Trace Yeomans
CA$12,000.00Left Panel: Ultrasuede appliqué on board
Centre Panel: Red Cedar wood, Acrylic paint, Carved
Right Panel: Acrylic paint on board
2021
Framed
25.75 x 21.5 x 2.25″ (each panel)
25.75 x 64.5 x 2.25″ (entire triptych)
“I called this triptych ‘Raven Transforming’ because the design continuously transforms from one medium to another to form a complete Raven design.
This was a fun set to work on – each panel being a completely different medium created a bit of a challenge to keep all of the pieces aligning where they meet. This meant checking several times throughout the process of each panel. I was pleased with the way these came together in the end.” – Trace Yeomans -
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“Variations of the Raven Story” Pendant
Gwaai Edenshaw
CA$110.00Sterling silver, Copper (Artist’s Signature Seal), Impressed
Part of Gwaai’s Regalia jewelry line, featuring handmade works that depict abstraction of the Haida form. The motifs impressed on each piece are borrowed from a dismantled a bentwood box design featuring variations of the Raven story. As an extension of this original concept, Gwaai has developed other themes such as reinterpreting Naxiin or Chilkat blanket weaving designs. After embossing on sterling silver or copper sheets, each specific design is carefully chosen for its aesthetic and narrative qualities. They are then shaped and polished by hand, ensuring no two pieces will ever be identical.