NWC Framed Prints & Originals
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Occupied [Framed]
Robert Davidson RCA
Price upon requestSerigraph, Edition 12 of 88
2007
Framed
“Occupied was first a doodle for a thank-you card. I also couldn’t pronounce the plural ‘octopi.’ When you look at the map of Haida Gwaii there are red parts to indicate reserve land that we can occupy and it adds up to less than 0.1 percent. We have been corralled onto this tiny piece of land. There was a time when we needed to sign in and sign out to leave the reserve. And we had no rights to natural resources. When it was all taken away from us, 90 percent of the population died and the survivors’ children were kidnapped and taken to residential schools. Then we became wards of the state and we were labelled as lazy. We look at the photographs – fortunately they photographed all the villages before all this devastation – and they are lined with many totem poles. The totem poles were not created by lazy people.” – Robert Davidson
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Tide Walker [Framed]
Ben Davidson
Price upon requestSerigraph, Edition 46 of 77
2017
Framed
Ben Davidson’s Tide Walker is a remarkably expressive serigraph by one of the Northwest Coast’s foremost artists. The blend of traditional and contemporary formlines, as well as the use of rich and saturated colour, joins to create an aesthetic that is distinctly a Ben Davidson work.
Below are the artist’s own words regarding this piece:
“Tide Walker exists in the space between the land and the ocean. From afar, he appears as a dorsal fin, so we imagine his body beneath the waves. We are so desperate to be the first to see the killer whale that we allow our minds to complete his story before we have time to determine the truth. We are so swiftly lured into believing the surface story that we rarely take time to consider what lies beneath.” (Davidson, 2017).
Ben Davidson is an internationally-renowned contemporary First Nations artist. He is the son of Robert Davidson, also of international fame. Ben stays true to his Haida ancestry, while always pushing the boundaries of traditional artwork.
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Missing Pieces (XL) [Framed]
Susan Point RCA
Price upon requestSerigraph, Limited Edition #4/10
Framed
2023
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Highest Level [Framed]
Margaret August
CA$450.00Serigraph, Edition 37/100
Framed
“Eagles represent the highest form of spiritual assistance because, these majestic birds can fly the highest of all the birds. Therefore they are considered to be the closest to the Spirit world.” –Margaret August
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Iinang Xaadee – Jaadaa (Young Woman) II [Framed]
April White
CA$600.00Serigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Kay (Sea Lion) II [Framed]
April White
CA$600.00Serigraph, Edition of 145
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Iihlangaa (Young Man) II [Framed]
April White
CA$600.00Serigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Good Tidings [Framed]
Margaret August
CA$605.00Serigraph, Edition 15/100
Framed
“’Good tidings’ depicts a contemporary otter design inspired by traditional Coast Salish house posts. Originally a canvas painting, I felt compelled to create a contemporary piece in the work after reviewing photographs of house post artifacts. House posts typically show mythical creatures associated with family history, notable ancestors, events which displayed ancestors’ spirit powers, or magical privileges of the family. They were also placed into the large winter house orating the long history, wealth and high status of the family. Otters often appeared on Salish house posts, they were considered to bring good messages, and were considered to be trickster figures. I personally set the intention to persevere in the continuum of Coast Salish traditions.” – Margaret August 2024
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Whorl of Transformation [Framed]
Margaret August
CA$650.00Serigraph, Edition 9/100
Framed
“This design depicts salmon, with an asymmetrical moon face, inspired by a spindle whorl artifact.
I say that salmon, like all animal medicine, has a spiritual meaning and some of the main themes you can find with salmon medicine is abundance, fertility, prosperity and renewal.
[It] is inspired by the use of Coast Salish spindle whorls, which have been known to be predominantly used by women, and their ability to produce beautiful textiles which had social and spiritual significance. The disc like shape would be designed with unique designs for which was to give the wool spinner a trance like experience for healing and transformation. Today, weaving continues to be a vibrant expression of cultural identity. Salish weavers consist of self-identified women, two-spirit people, and trans people.” – Margaret August 2024
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