Collection
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Rise Up with Wings as Eagle
Richard Shorty
CA$150.00Serigraph, Edition of 250
2006
Unframed
(For inquiries on custom framing, please contact the gallery)
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Winter Warrior
Andy Everson
CA$250.00Giclee, Edition of 99
2015
Unframed
(For inquiries on custom framing, please contact the gallery)
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Killerwhale Ring
Corrine Hunt
Price upon request14K White Gold, Sapphire, Engraved
Width: 5/16″
Size: 7.5 -
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Eulachon Canoe Mountain
Lyle Wilson
CA$425.00Intaglio Print on acid-free paper
Edition of 50
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
13 x 11.5″ (Paper size)
7 x 5.25″ (Image size)
“My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.
The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!
The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.
The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.
A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.” – Lyle Wilson, 2016
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$1000 Gift Card
Coastal Peoples Gallery
CA$1,000.00For details on our Gift Cards policy – please click here to review on the FAQ page.
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Kwikwetlem Harvest
Maynard Johnny Jr.
CA$450.00Serigraph, Edition of 100
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Becoming Tsimshian: The Social Life of Names
Christopher F. Roth
CA$39.95The Tsimshian people of coastal British Columbia use a system of hereditary name-titles in which names are treated as objects of inheritable wealth. Human agency and social status resides in names rather than in the individuals who hold these names, and the politics of succession associated with names and name-taking rituals have been, and continue to be, at the centre of Tsimshian life.
Published in 2008
SoftcoverPlease note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Experience British Columbia
Steve Nash
CA$60.00Presenting the most interesting and exceptional people and places of British Columbia, this photographic exploration offers an insider’s perspective on all the region has to offer. With a foreword by sports icon, philanthropist, and proud resident Steve Nash, this tour is divided into seven thematic chapters, each containing four geographical subchapters. From alluring Vancouver in the lower mainland to tranquil Vancouver Island, home to the historic capital, Victoria, the unique splendor of this remarkable area—including local art galleries, world-class ski resorts, restaurants and shops with international and regional flair, and businesses that give back to the community—is profiled alongside some of British Columbia’s best-kept secrets. Includes 365 color pages
Published in 2010
Hardcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Koru Pendant
Maori Artist
CA$70.00Bone
The Koru’s closed outer circle represents the circle of life which has no beginning or end, is seamless and of which we are all a part. It also tells of the stars and plants which are part of the circle of life and contain knowledge of our origins. For the artist, it represents the relationship or oneness between himself and his craft, bringing together head, hand and heart.
The spiral of a Koru, which is the fern frond as it opens, brings new life and purity to the world. It also represents peace, tranquility and spirituality along with a strong sense of re-growth or new beginnings. The Koru is often associated with nurturing so is frequently used to represent strength and purity of a loving relationship within a family.
The intertwining of these elements represent oneness within the natural world where spirituality, strength, beauty, old and new life all blend into one unifying force.
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con TEXT
lessLIE
CA$450.00Serigraph, Edition of 100
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
“As a contemporary Northwest Coast artist, the de-contextualization of Northwest Coast art is of great interest to me. By some scholars and Northwest Coast traditionalists, Northwest Coast ceremonial art has generally been perceived as de-contextualized when taken away from its ceremonial context. When the words and songs and dances are taken away from Northwest Coast art, it is perceived by some as being robbed of its meaning; hence the title “Con Text.” As a contemporary Coast Salish artist, one of the undertakings of my work is to create a new context for Coast Salish art through the utilization of text.”
–lessLIE
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Huupukanum Tupaat : Out of the Mist: Treasures of the Nuu Chah Nulth Chiefs
Martha Black
CA$39.95This visually sumptuous book features works of the historical and contemporary importance of Nuu Chah Nulth art and culture. It illustrates and documents the traveling exhibition of the same name curated by the Royal British Columbia Museum.
Huupukwanum and Tupaat are Nuu-chah-nulth words that designate everything a chief owns, including valued hereditary names and songs, objects and dances, rights and privileges, lands and resources.
These Nuu-chah-nulth concepts introduce non-aboriginal people to the profound philosophical, spiritual and personal connections that these objects had – and continue to have – with Nuu-chah-nulth communities.
Published in 1999
Softcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Purple Formline
Alano Edzerza
CA$130.00Giclee, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)