Corporate Gifts

AUTHENTIC. TIMELESS. GIFTS.
Naturally beautiful, Indigenous art and the artisans who create it deliver the unique flavour of Vancouver – a city shaped by its local culture. Express your appreciation or recognition with fine gifts from our collection. For more gift ideas, explore our entire collection or ask us for more details.

  • Iinang Xaadee – Iihlangaa (Young Man) II [Framed]

    April White

    CA$600.00

    Serigraph, Edition of 55

    2016

    Framed

    “For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.

    Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White

  • Salmon Glass Panel

    Clarence Mills

    CA$1,800.00

    Glass; etched and sandblasted on one side
    Stainless Steel Powder-Coated Base

    Glass: 20 x 20 x 0.5″
    Black base: 13 x 11 x 4″

  • Where Air Meets Water (Eagle & Killerwhale) Plate [White Edition]

    Corrine Hunt

    CA$220.00

    Recycled Glass

    Available in 14″ only

    White Edition exclusive to Coastal Peoples Gallery

    The concept for this design is based upon the physical depiction of air meeting water – a droplet of water which creates a swirl as the air affects its surface. The whorl-shape created by this abstract notion has produced the forms of an Eagle, on the left side of the design, and a Killerwhale; it’s body elusively curving around the right side. Corrine has continued to play with the whirlpool concept by introducing echoing shapes and forms that reflect across the surface of the material and invite the viewer to explore the “water’s” surface.

    Plate may be hung on the wall – specific hole in the back included for this purpose.

    Plexi-glass stand not included.

     

  • Where Air Meets Water (Eagle & Killerwhale) Plate [Black Edition]

    Corrine Hunt

    CA$85.00CA$130.00

    Recycled Glass

    Available in 12″ or 14″

    The plate may be hung on the wall – the specific hole in the back is included for this purpose.

    The concept for this design is based upon the physical depiction of air meeting water – a droplet of water which creates a swirl as the air affects its surface. The whorl shape created by this abstract notion has produced the forms of an Eagle on the left side of the design and a Killerwhale; its body elusively curving around the right side. Corrine has continued to play with the whirlpool concept by introducing echoing shapes and forms that reflect across the surface of the material and invite the viewer to explore the “water’s” surface.

    Plexi-glass display stand not included.

  • Hands Shawl [Red or Charcoal]

    Dorothy Grant RCA

    CA$175.00CA$200.00

    50% Merino Wool 50% Silk

    We believe the hands are connected to the heart centre, which the Haida believe was the mind centre. The right and the left hands have human faces in the palms that represent creativity, healing and communication. Thus, the artist communicates their work through working with their hands.” – Dorothy Grant

  • Eagle, Wolf & Raven Bentwood Box

    Wilf J. Sampson

    CA$6,600.00

    Red Cedar wood, Yellow Cedar wood, Operculum shell, Acrylic paint

    Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.

    The intelligent Eagle symbolizes status, power, peace and friendship, while the Raven is associated with Creation, Heroism, Transformation. The Wolf is a symbol of patience, individuality and protection.

  • Iinang Xaadee – Jaadaa (Young Woman) II [Framed]

    April White

    CA$600.00

    Serigraph, Edition of 55

    2016

    Framed

    “For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.

    Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White

  • Hecate Strait Scarf – State II

    Susan Point RCA

    CA$420.00

    100% Silk; Limited Edition of 100

    Exclusively available through Coastal Peoples Gallery

    “Hecate Strait is a wide but shallow strait between Haida Gwaii (formerly known as the Queen Charlotte Islands) and the mainland of British Columbia.  Hecate Strait, because it is so shallow, is especially susceptible to violent storms and weather; therefore, has always been revered by the Northwest Coast First Nations Peoples.

    The shallow waters make it an abundant place for marine life, especially for spotting Orcas and Humpback Whales breaching.

    In this scarf design, I’ve illustrated the turbulent waters, abundance of Orcas, and Salmon.

    Orcas are great guardians of the ocean, with Seals as slaves and Dolphins as warriors.  Orcas are closely related to humans; I was told many legends as a child of the whale people and their villages beneath the sea.

    Salmon are a symbol of abundance, wealth and prosperity because Salmon are the primary food source for the people of the Northwest Coast.  It is also symbolic of dependability and renewal representing the provider of life.  Salmon in pairs are good luck.”

    – Susan Point, 2018

  • Hecate Strait Scarf – State I

    Susan Point RCA

    CA$420.00

    100% Silk; Limited Edition of 100

    Exclusively available through Coastal Peoples Gallery

    “Hecate Strait is a wide but shallow strait between Haida Gwaii (formerly known as the Queen Charlotte Islands) and the mainland of British Columbia.  Hecate Strait, because it is so shallow, is especially susceptible to violent storms and weather; therefore, has always been revered by the Northwest Coast First Nations Peoples.

    The shallow waters make it an abundant place for marine life, especially for spotting Orcas and Humpback Whales breaching.

    In this scarf design, I’ve illustrated the turbulent waters, abundance of Orcas, and Salmon.

    Orcas are great guardians of the ocean, with Seals as slaves and Dolphins as warriors.  Orcas are closely related to humans; I was told many legends as a child of the whale people and their villages beneath the sea.

    Salmon are a symbol of abundance, wealth and prosperity because Salmon are the primary food source for the people of the Northwest Coast.  It is also symbolic of dependability and renewal representing the provider of life.  Salmon in pairs are good luck.”

    – Susan Point, 2018

  • Eulachon Canoe Mountain [Framed]

    Lyle Wilson

    CA$715.00

    Intaglio Print on acid-free paper

    Edition of 50

    2016

    13 x 11.5″ (Paper size)

    7 x 5.25″ (Image size)

    16.5 x 15 x 1.25″ (framed size)

    “My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.

    The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!

    The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.

    The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.

    A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.”

    -Lyle Wilson, 2016

     

  • ‘Goat Horn’ Pewter Serving Set

    Artist Unknown

    CA$220.00

    Cast from fine lead free Pewter (made in Canada)

    Food safe and hand wash

    Available in a Matte finish only

    Each Utensil: 8 x 2 x 2″

    Custom Maple Wood box is sold separately – please inquire for pricing


    This beautifully designed serving set features classic totemic designs with Eagle, Frog and Raven Stealing the Sun. The traditional ‘Goat Horn’ styled fork and ladle make an ideal wedding or any occasion gift. Pewter will not tarnish like silver over time. Hand wash only with mild soap.

     

  • Salmon Sculpture

    Chester (Chaz) Patrick

    CA$980.00

    Exclusive to Coastal Peoples Fine Arts Gallery

    Glass; etched and sandblasted (Glass thickness 12mm)

    Maple wood base

    Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice and perseverance.

    Shortages of Salmon are traditionally attributed to human disrespect and refusal to listen to and live by the wisdom of elders. The Pacific Northwest Coast peoples believed that Salmon were actually people with eternal life who lived in a large house far under the ocean. In spring, they put on their Salmon disguises and offered themselves to humans as food.

  • Haida Eagle Pole

    Geoff Greene

    CA$3,600.00

    Glass, Etched and Sandblasted, 20K Gold Leaf, Edition of 57

    Glass thickness 12mm

    Geoff Greene’s Haida Eagle Totem pays tribute to an important symbol and crest figure to the Haida nation. Created in the contemporary medium of glass, the Haida Eagle Totem celebrates traditional design within a luminous setting that speaks to the evolution of the classic Haida form.

    The Eagle is respected for its intelligence and power as well as its vision both figurative and literal; it claims both honor and a high stature. The Eagle Clan is traditionally the most prominent family and the Eagle Chief the most powerful chief. Although revered as a powerful hunter, the Eagle’s feathers are considered sacred. Traditionally, Shamans believed that Eagle feathers possessed healing powers and thus used them in various ceremonial and ritual contexts; today these feathers are still strewn to welcome an honored guest.

    Geoff Greene’s beautifully etched and sandblasted Haida Eagle Totem employs the magnificent translucent nature of glass in its finish along with the accent of gold leaf to provide additional depth and interest within this unique work. Masterly created, this piece blends ancient animal symbolism within a stylized contemporary form and demonstrates how many artists are setting themselves apart through their unique concepts.

    Available with Stainless steel or Natural Maple wood base.

  • Orca

    Chester (Chaz) Patrick

    CA$980.00

    Exclusive to Coastal Peoples Fine Arts Gallery

    Glass; Etched and sandblasted (Glass thickness 12mm)

    Maple wood base

    Every Household and every clan possessed its own history and traditions in the form of myths and legends. Often describing how an individual had met a supernatural being, in animal form, who had given ownership of certain privileges. These privileges are a highly important part of First Nations life and are retained by particular family groups through their laws of inheritance. Privileges gave an individual status in the community and were more highly valued than any material possession.

    In reality there were rights, such as the right to use a figure on a house post, wear a mask or to perform a dance at a ceremony. Very typical of these legends was the tale of Natcitlaneh, who was abandoned on an island by his brothers-in-law, who were jealous of his prowess as a hunter. He was rescued by the sea lions and taken to their village in a cave, where in gratitude for his healing their Chief, gave him supernatural powers which enabled him to carve eight wooden Killerwhales. These came to life when they were placed in the sea and avenged him by killing his brothers-in-law. As a mark of respect, Natcitlaneh built a house and named it Killerwhale House. According to legend the ancestors visited the house, located at the bottom of the ocean and obtained the right to use the Killerwhale as a crest. The Killerwhale was said to have originated from a single great white wolf that leaped into the sea and transformed itself into a Killerwhale, or Orca. That is why they have the white markings on their sides, travel in packs and are such skilled hunters. The Orca is considered to be the ocean manifestation of the wolf and the two animals are considered to be directly related.

    Another beautiful legend tells that long ago Orca was one color, black and she lived in the water like all fish. Then she fell in love with Osprey and he with her. The Orca wanted to know so badly what it felt like to fly so she leapt farther and farther out of the water to be close to her love and Osprey spent more and more time close to the water to be near his love. Love has a way of making itself shown and expressed, and when their child was born, she was black like Orca, but with a white belly and head like the Osprey. The Orca has a song so beautiful that all creation is said to stop and listen to the Orca and that to be splashed by the Orca is to ensure great luck and happiness.

    Chaz’s beautifully sculptured glass Killerwhales pay tribute to First Nation culture, oral history and traditions. These are testament to an ideology in which we are all interconnected and part of the greater whole- each related and affecting the other.

Filters
X
The message will be closed after 20 s
Ajax Loading