Collection
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Lazy Son-in-Law Box
Gryn White
CA$11,500.00Argillite, Mastodon Ivory, 14K Yellow Gold, Abalone shellFor more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
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Raven Transformation Mask
Barry Scow
CA$11,500.00Red Cedar wood, Abalone shell, Feathers, Cedar bark, Acrylic paint
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Shaman Transformation Mask
Moy Sutherland
CA$11,000.00Alder wood, Cedar bark, Horse Hair, Abalone shell, Acrylic paint
Articulated
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Communal Hunters Panel
Philip Gray
SOLDRed Cedar wood, Acrylic paint
SOLD – For artist commission inquiries, please contact us at [email protected]
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Energy Dance Panel [9 Tiles]
Don Yeomans
CA$10,800.00Plaster
Limited edition
9 Tiles in total [available in sets of 3, 6 or 9] – ask us for details.
Plaster is suitable for both outdoor and indoor display.
This extraordinary piece stands as a resplendent tribute to one of the Pacific Northwest Coast’s paramount and revered sources of vitality: the Salmon. Salmon, an integral and indispensable facet of life in this region, has left an indelible imprint on the cultures, interactions, technologies, and spiritual beliefs of the Pacific Northwest Indigenous communities.
“Water gives energy to the salmon.” – Don Yeomans
In this quote, the artist encapsulates the spiritual and life-sustaining essence bestowed upon this remarkable creature. Revered as a gift from the Creator, Salmon transcends its physical form to embody abundance, regeneration, self-sacrifice, and perseverance. The shape of the body allows Salmon to defy gravity as it dances upstream to fulfil its essential role within the cycle of our lives.
This masterpiece skillfully converges nine distinct Salmon into a harmonious whole, thereby creating a symbol of unification that mirrors the interconnectedness of our existence.
Each meticulously rendered Salmon pays homage to the mastery of the artist as well as the intricate dance of life and energy that defines the West Coast Indigenous communities.
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Raven Mask
Tom D. Hunt
CA$10,800.00Red Cedar wood, Cedar bark, Acrylic paint
16 x 10 x 28″ (without stand)
28 x 10.5 x 28″ (with stand) -
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Dogfish Berry Basket
Merle Andersen
CA$10,800.00Cedar Bark, Acrylic paint
Painted by Alfred Adams
Merle is a Haida Weaver and Regalia artist from Haida Gwaai, BC, Canada. San’laa gudgaang is her Haida name and Yaguu’janaas is the name of her affiliated clan. She uses Cedar Bark, Spruce Root, and Sewn Regalia as her mediums. Merle’s grandmother, Isabella Edenshaw, and mother, Florence Davidson, were both weavers, while her grandfather, Charles Edenshaw, was a master carver, and her father, Robert Davidson Sr., was a carver in his own right. Merle received her traditional training under her mother and two of her sisters, as well as under Haida weavers April and Holly Churchill.
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Eagle Mask
Robert Saunders
CA$9,800.00Red Cedar wood, Cedar bark, Acrylic paint
13.5 x 17 x 12″ (mask only)
23.5 x 21.5 x 15″ (including bark & stand) -
Eagle Bentwood Box
Douglas David
CA$9,800.00Red Cedar wood, Yellow Cedar wood, Operculum shell, Abalone shell, Acrylic paint
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
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Shaman Mask
Raymond Shaw
CA$9,800.00Yellow Cedar wood, Horsehair, Acrylic paint
22 x 16 x 12″ (mask only)
40 x 18 x 13″ (including hair)
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White Raven Mask
Bert Smith
CA$9,800.00Red Cedar wood, Cedar bark, Acrylic paint
43 x 36 x 10″ (including cedar bark)
47 x 36 x 16.75″ (including cedar bark & stand)
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“Louder Than Words” Mask
Kyran Yeomans
CA$9,500.00Alder wood, Acrylic paint
“It is New Year’s Day, and Dad mentions seeing a fallen alder tree in the woods by his studio. We hike down to it, about a hundred and fifty steps or so, and cut it into a few pieces with a chainsaw. It is raining pretty hard for added dramatic effect.
We load a few pieces onto a dolly and take turns pulling/pushing the two-hundred-pound load back up the stairs we had come down. This takes an hour. For the second dolly load, we decide to go down the stairs and just push the dolly for a few kilometers on a hilly trail instead.I had initially intended something quite different for this mask, and I used that idea as a starting point. Part of the process for me these days is allowing for new directions to present themselves, and getting comfortable with letting go and pursuing them. The feathers at this person’s mouth suggest a power of speech. I have been thinking lately that there is more to what we hear and say than the words themselves. There is a feeling, intent, and vibrational energy as well. The feathers here may provide a way to transcend our physiological boundaries and amplify the message further.” – Kyran Yeomans
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